The culture industry

 

 

      

 

   

 

 

 

 

 



Introduction
What I didn't learn from Luke Wright, poet
Dave Coates and PPC (purist political correctness)
This space reserved for criticism of Mark Berry (Boulezian)
The BBC and its designs on us
The BBC: manipulating opinion
Bold print and faint print
Some Mediocrity Celebrity Worshippers
What is a mediocrity?
Love and linguistics
Strenuousness
Richard Booth, Private Eye and Edgeways Books

Friendly fire: Harry's Place

Supplementary material below is in italics

Introduction

This page, one of the less developed pages of the site, is concerned with dross and the criticism of dross, dross which coexists with strengths and admirable people and organizations whose strengths outweigh their faults. In 'The Culture Industry,' Theodore Adorno's sophistication tended to be single-minded, simple-minded. I stress contradictions, contrast, complications.

 

Dross is often justified by the power of numbers, such as sales figures. There are many, many people who are very impressed when a show sells huge numbers of tickets, when a recording sells by the million, when a book sells by the million, the people who are impressed by 'smash hits,' the people who scoff at minority interests. They should remember that the sales figures for  white sliced industrial bread, mass-selling mass-produced processed cheese or cheap lager in cans dwarf the sales figures for artisanal bread, cheese and beer,  In the case of these products of fermentation, the realization is widespread that the 'smash hits' of the bread, cheese and beer world are likely to be the poorest in quality, the minority products of the niche market far more likely to be outstanding.

The clear and concise formulation in terms of {theme}, specifically the {theme} linkage, expresses the insight that in such cases as these,  there's no linkage between high sales figures and quality:

[high sales figures] >< [high quality]

Here, >< is read as 'not linked with.'

Similarly, any mechanical use of high sales figures to show that a film, a book, a piece of music must be a 'must-see, a must-read' or a 'must-hear' is ridiculous. Ridiculous too is the use of low sales figures in an attempt to show that a poetry volume which has sold only a few copies must be worth reading.

 

Harry's Place is site which amongst other things supports Israel and opposes Islamism, even if contributors differ in the degree of their support and opposition. I'm in sympathy with its position. Surely the world of the site is very different from the world of mass marketing and mass consumption? It is, but it's a prominent provider of material which can be compared with the material goods provided by prominent suppliers. Harry's Place provides dross which coexists with strengths, the strengths, I think, vastly outweighing the dross.

The title of this page is the same as the collection of essays on mass culture by Theodor Adorno (published by Routledge, with an introduction by J M Bernstein.)   My view of 'The Culture Industry' involves disagreement as well as warm agreement, as I explain. Brian O' Connor provides a very good summary of 'The Culture Industry' in his introduction to 'Culture Industry Reconsidered. He writes,

 

'Adorno notes that the term 'culture industry' is to be preferred to 'mass culture' in that the latter suggests a type of culture spontaneously chosen by the masses as suiting their needs. However, that is to miss the point that the culture industry has, Adorno argues, nothing to do with the views or needs of the masses. Rather the culture industry produces commodities which generate false needs. And the metaphor of industry is apt, he argues, as entertainment is produced through patterns of standardization and, with advertising and marketing, distributed like any other manufactured goods. The culture industry sustains itself through the illusion that it offers novelty, but ultimately what is new is merely another instance of what is commercially proven. The techniques of the culture industry - its skilful production of film, music, or television - are in no way equivalent to the techniques if art ... Culture, Adorno claims, was once the area of protest in which great art provoked consciousness of the difficulties of existence. Now, however, the culture industry achieves conformity ... Adorno's critique of popular culture is trenchant and it has faced superficial charges of elitism and snobbery. It is clear that his account of the culture industry identifies undeniable strategies of manipulation. The more ambitious claim is that this manipulation produces social conformism. The strength of this position can only be appreciated when read alongside Adorno's thoughts on society and idealogy.'

My loathing for the dross of the present time is as great as Theodor Adorno's evident dislike, amounting to loathing, for the dross of his time, but my criticism is modified and differs from his in significant ways. I take as my example of dross here a commercial radio station pumping out drivel from morning to night, throughout the night, an endless stream of monotous and formulaic rhythms and trite non-melodies interspersed with advertisements and self-indulgent comments delivered in the typical  tone of voice, relentless, frenzied, without contrast.

(1) I recognize that people who listen to this dross whenever they can, who find it difficult to do things without listening to this dross or similar forms of dross, can have remarkable qualities, that they may be understanding, loving, hard-working parents, that they may have reserves of remarkable courage. This is to stress the importance of factors and factorization. What people listen to is a factor, but if it can be shown that what people listen to is dross, this is a criticism in terms of one factor,  not all the factors which should be taken into account. These factors include much more than what people listen to, look at or read.

 

George Orwell, who writes about some ordinary people in his essay 'Hop Picking,' singles them out for praise. Adorno would have given a completely dismissive account of their cultural level, although it's not likely that he would have thought them worth commenting on, or noticing. This is George Orwell:

 

'There was one couple, a coster and his wife, who were like a father and mother to us. They were the kind of people who are generally drunk on Saturday nights and who tack a 'fucking'  on to every noun, yet I have never seen anything that exceeded their kindness and delicacy. They gave us food over and over again. A child would come to the hut with a saucepan: 'Eric, mother was going to throw this stew away, but she said it was a pity to waste it. Would you like it?' Of course they were not really going to have thrown it away, but said this to avoid the suggestion of charity.'


(2) I see the importance of cross-linkages. I'm an atheist, but there can be cross-linkages between my views and the views of a Christan. Someone who has a linkage with me in terms of atheism may not have a linkage with me in terms of pacifism and radical feminism, both of which I oppose. Someone who shares my interest in serious music  may be my opponent in other respects, and the person who listens to drivel, inconveniently, an ally.

(3) Theodor Adorno's view takes too little account of the history of mass entertainment, I think. The moronic and mindless dross of commercial radio stations is far, far better than the 'entertainment' of watching public executions or the gladiators and other public cruelties of Ancient Rome.

(4) Theodor Adorno's account never considered ways of actively opposing the power and effects of the Culture Industry. He concentrated his entire attention on analysis.

In opposing the Culture industry, I think it's essential to distinguish two things:

(i) The most effective techniques to oppose the Culture industry. This will often demand short, vivid messages and simple slogans.

(ii) The reasoning which underlies the action. This should not be simple. It should be comprehensive (covering all relevant aspects of the subject rather than a few), fair-minded (taking every care to avoid distortions of reality, taking note of possible objections), sophisticated in moral argument and, also, factually correct.

I would stress the power of ideas. The ideas which seem vastly more forceful, developed, persuasive than the opposing ideas are amongst the most important contributions to activism. They're a precondition for activism, or should be. One of the most striking demonstrations comes from the history of penal reform, on which the Italian thinker Beccaria has had an incalculable influence. To read more about his achievement, click here. Beccaria's achievement is amongst other things a massive practical achievement - concrete reforms can be traced back to his work - but these were due purely to his ideas. He had none of the attributes of an activist. The introduction to his work 'On Crimes and Punishments' in the Hackett edition describes the work as 'greater than its self-effacing author, a man of almost crippling shyness.'

Theodor Adorno's ideas have great importance, but they aren't expressed in a form which will bring them to the attention of more than a handful of people who gain from the Culture industry, such as employees of the trivial media, or the people who are in thrall to the trivial media.

 

I think there's scope for the use of 'simplification words,' simplification phrases,' 'simplification messages,' 'simplification techniques' and 'simplfication images.'  I think that simplification words, phrases, messages, techniques and images are completely justifiable if they are supported by comprehensive argument and analysis, which need not be supplied at the time.

It's for this reason that I give some simplification phrases, messages and images below. And, also, a 'simplification technique,' 'bold print and faint print.' If most purveyors of dross will be immune, a few may reconsider. An aphorism of mine, from the page Aphorisms: 'In the criticism of trashy material, a critic can be guided by the principles of punishment: deterrence, retribution, reformation.'

 

What I didn't learn from Luke Wright, poet

 


Allied tanker sinking, after being torpedoed during the Battle of the Atlantic, 1942. In the Second World War, 32,000 merchant seafarers and over 50,000 members of the Royal Navy lost their lives.

 

 

Lancastria, in the distance, sinking off the French port of St. Nazaire on 17 June 1940, after evacuating British nationals, from France, two weeks after the evacuations from Dunkirk. The ship had been bombed by German aircraft. The exact death toll is unknown: probably in excess of 3,500. Thousands of people were killed, by the bombs, by drowning, by choking on fuel oil, by burning  (some of the fuel oil which leaked into the sea, more than 1,400 tonnes of it, caught fire) or were machine-gunned by German aircraft. The BBC site 'WW2 People's War' has an outstanding page on the sinking, very harrowing but with some happier incidents, such as this: 'And then there was the poignant scene of a mother, and her tiny baby being thrown into the water when a lifeboat capsized crying out to others drifting nearby, “My baby! My baby! Please find my baby!” Back came the answer, “It’s all right, Ma, we’ve got her,” as they held her baby well above the water.' There were many acts of heroism, such as the heroism of the man 'covered completely in black oil who dove time after time into the sea from the safety of the rescuing ship to bring floundering people to its side where they could be hauled aboard.'

 

Luke Wright is best known as the author and performer of 'What I learned from Johnny Bevan,' which does have emotional substance in some places, with real pathos. Take those flickering flames and burning log effects which some electric fires have - quite realistic and even impressive.  - and compare them with the authentic flames above a real log fire. At times, the poetic flame in his poetry seems real, more often an imitation, 'mimesis.' He caters to a market, he's industrious and for the time being quite a significant figure in the Culture Industry. He's generally an attractive and likeable poet,  sometimes witty and inventive, but not likely to have any lasting significance in the history of poetry.  The verse is ludicrously bad on occasion, as I soon show.

 

Luke Wright is the  author of a  poem which mentions ISIS and which contains the line

 

twisting victims till victims stink

 

A poem which mentions the atrocities of ISIS and the victims of ISIS, then? A poem about beheading, burning alive, or, more likely, crucifixion? No, not in the least. It's a poem which attacks IDS (the Conservative politician Iain Duncan Smith). The victims here are the victims of Iain Duncan Smith, according to Luke Wright, not the victims of ISIS.

 

Its poetic badness is bad enough but its ethical badness is far worse. The poem is hideous. Its poetic badness and its ethical badness obviously weren't noticed by Jenny, writing on the site 'Phrased and Confused.'

http://www.phrasedandconfused.co.uk/news/a-z-of-phrased-confused-at-liverpool-acoustic-festival

 

Jenny ought to have insisted that the 'poetry' should be set out as poetry and not prose. In case she's not too familiar with the conventions, these two lines of 'poetry' can be set out on the page either like this

 

Hi! Hi! Hi! Hi! Hi!
Hi! Hi! Hi! Hi! Hi!

 

or like this, with '/' to show the line break:

 

Hi! Hi! Hi! Hi! Hi! / Hi! Hi! Hi! Hi! Hi!

 

but shouldn't be set out like this:

 

Hi! Hi! Hi! Hi! Hi! Hi! Hi! Hi! Hi! Hi!

 

Luke Wright's 'poem,' like this 'poem' is  univocal. It uses only the vowel 'i.' Later in the section, I include a poem I wrote, 'The Rising and Falling of Luke Wright,' which is univocal as well, using only the vowel 'i.'

 

This is Luke Wright, in single-minded,   unsuccessful, pursuit of  exuberance, in single-minded use throughout of a single vowel, in single-minded pursuit of  Iain Duncan Smith, with complete disregard for human and humane values. A short extract from the poem after the line 'twisting victims till victims stink,' short, because I observe copyright restrictions, here and throughout the site:
I wish him limp dicks.
I wish him midnight shifts.
I wish him ISIS.
I wish him sinking ships.


The complete poem is given on a page of Luke Wright's Website. I'd strongly recommend reading the complete poem and I'd strongly recommend listening to the recording of the poem, but only for the insights into his mind, or one aspect of it.

 

http://www.lukewright.co.uk/ids-in-only-one-vowel/


The worst lines in the  poem on IDS - not the poetically worst lines, because all the lines are bad poetry, without much variation, but the worst lines for anyone with any concern for ethics - are these:


I wish him ISIS.
I wish him sinking ships

 

and

 

twisting victims till victims stink

Did he stop to think before he wrote them? When he revised the poem, assuming he did revise it, did it occur to him that poets may need to give thought to ethics as well as to choice of words?

 

Does Iain Duncan Smith deserve to be put in a cage and burned to death, or pushed off a high building, or beheaded, or tortured and killed by any of the methods used by ISIS? I lived in Northern Ireland at the height of the Troubles. (My page Ireland and Northern Ireland: distortions and illusions has a section on the Troubles.) Not long before I left Northern Ireland, I heard a massive car bomb, planted by the IRA, which killed six civilians. My gratitude to the members of the police force and the army who did so much to protect us, at such risk to themselves, is immense. Iain Duncan Smith served in the army in Northern Ireland during the Troubles at a time of high risk for the security services. He doesn't deserve in the least to be a target of Luke Wright's facile and disturbing verse.


'The line which mentions 'sinking ships' is despicable too. I don't suppose for one moment that Luke Wright has an exhaustive knowledge of military history.  This country stood almost alone in opposing the Nazis, who had crushed free and independent life in such countries as France, Belgium, the Netherlands and Czechoslovakia. Poland had been crushed but never surrendered. Over 250,000 Polish troops escaped to Britain to continue the struggle against Nazism.

 

At that time, and afterwards, convoys brought across the Atlantic the food and materials needed to continue the fight for freedom and the liberation of these countries. The Arctic Convoys took supplies to Russia. When ships were torpedoed or bombed, those who survived the blast might be coated with oil or burned alive in oil.  The ones in lifeboats might float for weeks until rescued, or might never be rescued. Is Luke Wright  completely sure that any of these horrific fates is a fate he wishes upon Iain Duncan Smith? But probably, his imagination failed him. 'Sinking' may be a word with insufficient meaning for him, divested of such horrors.

 

I think that to a significant extent he's politically naive and politically clueless, naive and clueless too in some aspects of ethics. Whatever political and ethical insights he does or doesn't have, he's naive and clueless if he imagines that he can go on the attack on his Website with no possibility of being criticized in turn. Giving some publicity to his mistakes on this site will at least be a healthy corrective to such unrealistic ideas.

 

A contribution of his to twitter, 2 December 2015. A picture of David Cameron next to Jeremy Corbyn. Jeremy Corbyn has his hand raised and his index finger outstretched in the direction of David Cameron. Above the picture, the caption - not his - MPs debate airstrikes against Isis ahead of crunch vote. Below the picture, Luke Wright's comment, 'Go on Jeremy, poke him in the eye. And stop the war too.' What's the best way of stopping ISIS, does he think? Does he imagine that persuasion will be enough, or 'peace talks with ISIS?' Or is he indifferent to the problem of ISIS, or does he fail to see any problem with ISIS at all? There are many people like him.

 

Another post (23 February 2016) gives a film clip showing Iain Duncan Smith. It must have originally shown him simply raising his right arm at a meeting, probably to make a point. The film has been repeated again and again to make it appear that IDS is making a Nazi salute again and again. Luke Wright is an infantile obsessive, in part.

 

Some other examples of the dross to be found on the same page of his Website as the verse on IDS. This is the closing stanza of 'Ron's Knockoff Shop:'

 

Ron LOLs
rolls sloth’s dosh.
“London morons.”
Locks shop for long month off.
Roll on tomorrow.

 

This time, of course, it's the vowel 'o' which is honoured with his time and attention. He appears to think that the achievement of writing a univocal poem is achievement enough: when the poet uses such an exacting form, any rubbish will do to confirm a reputation as a virtuouso poet.  Emotional substance is completely unnecessary.

 

This, from 'Poem for a benefit gig in aid of the refugee crisis,' is evidence that even when there are no exacting technical demands - the full set of vowels available, the lines simply linked as rhyming couplets - he sees no need for any advance on poetic sensationalism and cardboard caricature, or can't provide any advance. Emotional substance is unattainable.

 

CONSERVATIVES IN SHOCK COMPASSION FAIL
Another crime to chalk up to The Mail.
A sneer for those stood clutching Starbuck’s lattes
the ones who turn up late to pity parties.

 

The American poet and critic Randall Jarrell, writing in 'Some lines from Walt Whitman' (the essay appears in 'Poetry and the Age'):

 

'The interesting thing about Whitman's worst language (for, just as few poets have ever written better, few poets have ever written worse) is how unusually absurd, how really ingeniously bad, such language is. I will quote none of the most famous examples; but even a line like O culpable! I acknowledge. I expose! is not anything that you or I could do - only a man with the most extraordinary feel for language, or none whatsoever, could have cooked up Whitman's worst messes.'

 

The badness of Luke Wright's worst writing is nothing like this. It's not ingeniously bad, for instance.

 

Luke Wright is lacking in so many things, despite his talents and gifts. One of them is basic fair-mindedness as regards certain issues at least: Conservatives have absolutely no compassion, Conservatives are scum, newspapers and Websites which generally or often support Conservative policies are valueless. He may or may not have heard  that the Conservative Party in this country is currently giving 12 billion pounds a year in overseas aid. (I question whether a significant proportion of this sum is well-spent.)

 

Luke Wright's response to the migrant crisis is revealing. Ethical dilemmas don't seem to exist for Luke Wright. He seems incapable of grasping the notion that one duty might be in conflict with another duty, or that the exercise of compassion may sometimes have unintended consequences - including disastrous consequences - or that a solution can't easily be found for every problem. If Luke Wright is a humanitarian, he's a very selective humanitarian or an ignorant humanitarian. There are many like him. He ignores material factors, which, like humanitarian factors,  I emphasize again and again in this site. The wish to help is ineffectual if material factors are ignored. Helping the victims of an earthquake requires attention to heavy lifting equipment and helicopters Helping the victims of an earthquake or, in general, other victims, requires attention to the economy and to technology.

 

This is a poem of mine on Luke Wright the flawed and vulnerable poet as well as Luke Wright the hideous poet, not Luke Wright, the poet at his best or his not-good-enough-best. After writing it, I'm sure that 'univocalism,' using only one vowel, involves too much restriction - {restriction}:- (feeling ...)  For all that, I think I've been able to make my attitude to Luke Wright's poem on IDS very clear.

 

This rising Lit-Hit,
this nit-picking Lit-Big,
this Mill-Wright
grinding his lit-bits,
grinning, grinning, grinning,
is insipid in print
[IDS 'ripping ribs in glitz grills']

his  filmic fighting
filling in,
his illicit flings
filling in
[IDS: 'I wish him limp dicks']

idling, tiring, slipping, sliding,
whittling his whims,
signing his sighs.
'If I ... '
'I might ... '
(might is plight)
This Lit-Grit
is grim, grim, grim in print

['ISIS, ISIS ...'
'Sinking, sinking ...'
IDS 'twisting victims till victims stink ...']

 

Luke Wright's poem on IDS is the poet in  free-fall. I criticize lacklustre, insipid content in his poem (and lacklustre, insipid content in other poems of his on the same page of his Website). Poet-performers may be very good performers of very poor poetry. The poorness of the poetry is disguised by the vigour of the performance but it's readily apparent when it's read. Then, I criticize the weakness and desperation which underlies his attacks on IDS. After that, I criticize grim, obnoxious, hideous, lines in the poem. Quotations from Luke Wright's poem are given in inverted commas in square brackets.
 

The meaning of 'idling' here is the one familiar to mechanical engineers and others, 'to turn without doing useful work,' with associations of unproductive low-level activity. 'Filling in' has associations of the routine. Fling: Luke Wright throwing words around to make his worst poem (I hope there are none worse - that would surely be impossible) and the associations of 'an occasion of unrestrained, impulsive or extravagant behaviour.' (Collins English Dictionary.) The poem captures, I think, the hesitations and doubts that Luke Wright surely has, despite his success. The words 'If I ... ' and 'I might ... ' are attributed to him and not quotes from any of his poetry. 'Rising and falling' denotes a more complex process than 'rise and fall,' in this case the surges and disappointments, the fluctuations and flux in the inner life of Luke Wright. He claims in his blog that he has a strong work ethic. Even if in general he works every day and most of the day, no poet can have the satisfaction of constant achievement every day and most of the day. The words 'slipping, sliding' are a near-quotation. The reference is to 'slip, slide' in this well-known passage from T S Eliot's 'Burnt Norton,' one of the 'Four Quartets:'

 

' ... Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Will not stay still.'

 

The line of my poem, 'Might is plight,' has an obvious sound-linkage with 'Might is right.' Unlike 'Might is right,' 'Might is plight' has  ambiguity, the ambiguity of richness, complexity and contradiction - 'might' refers to power, political power or military power or other forms of power, as well as the vastly different tentative 'might,' the 'might' of hesitation: 'I might do that, but on the other hand ... ' Lit-Grit is sarcastic, in part: 'grit,' 'indomitable courage, toughness or resolution' (Collins English Dictionary) but with other associations which are very different: an irritant.

 

The poet Rilke is superb, as well as very limited, in his treatment of rising and falling in the inner life. From my page Kafka and Rilke:

 

This, on falling, is beautiful, but perhaps its beauty begins to seem less impressive with critical intelligence, not the uncritical reverence for Rilke the Seer in an age when a seer is an anomaly. They are the concluding lines of the last of the Duino Elegies, the Tenth:

 

Und wir, die an steigendes Glück
denken, empfänden die Rührung,
die uns beinah bestürzt,
wenn ein Glückliches fällt.

 

And we, who have thought of happiness
as rising, would feel the emotion
that almost alarms us,
when a happy thing falls.

Here, it would be very mistaken to view the 'alarm' as anything to do with the pains of embodied life as most people experience it.

 

The book 'Metaphors we Live By' (George Lakoff and Mark Johnson) is relevant to the rising and falling here, and in particular Chapter 4, 'Orientational Metaphors.' 'These spatial orientations - 'up-down' is the first example they give - 'arise from the fact that we have bodies of the sort we have and that they function as they do in our physical environment.' This isn't in the least a Rilkean viewpoint.

 

In their section 'Conclusions,' the authors claim 'There is an internal systematicity to each spatialization metaphor. For example, HAPPY IS UP defines a coherent system rather than a number of isolated and random cases. (An example of an incoherent system woul be one where, say, "I'm feeling up " meant I'm feeling happy," but "My spirits rose" meant "I became sadder."

 

See also my technical discussion in the page Metaphor.

 

Rilke's 'a happy thing falls' seems like a thought-experiment to do with cognitive dissonance disguised as something far more profound.

 

 A wider view of his treatment of falling, a wider view of his poetic world, reveal his bias. Lines from his poem 'Herbst' can also be quoted (Das Buch der Bilder, Book 1, Part 2):

 

The first line is

 

Die Blätter fallen, fallen wie von weit,

The leaves fall, fall as if from far

in which the ordinariness of 'the leaves fall' is made suddenly mysterious, and exciting, by {distance}.

 

Later, 'Wir alle fallen,' 'We are all falling'


Und doch ist Einer welcher dieses Fallen
unendlich sanft in seinen Händen hält.


And yet there's One who  this fall
endlessly gently in his hands holds.


The concluding lines should not be found in the least impressive - again, despite appearances - let alone consoling. The lines are a form of poetic piety.

Kafka was drawn to the incorporeal too, but unlike Rilke, without consequences fatal to his art.

 

The contrasts between Luke Wright and Rilke are immense, but they have an unexpected linkage. Luke Wright's vivid and concrete world (sometimes a view of a world which sometimes makes dismal use of the building material concrete) is like Rilke's world in its avoidance of some categories of harm in the material world, such as the sinking of ships. The fall of a roofer from a roof followed by hitting the ground, the injuries to the roofer or worse, are shattering events in the material world, just as the sinking of a ship and the drowning of the crew are shattering events in the material world. The verse of Luke Wright is vivid - although not always vivid, sometimes insipid - but he can't convey such shattering events as these, or not with any convincing force.

 

To illustrate his worthless poem, he uses an image of Iain Duncan Smith which comes from the site 'Left Foot Forward.' The image is copyrighted. Did he ask permission from 'Left Foot Forward' before using the image? I doubt it.

 

Copyright is important. It's difficult enough for a poet to earn money from poetry. Earning money from poetry isn't the point of poetry, of course, but poets deserve to be paid, whenever payment is possible. Before copyright law, anyone who wanted to and had the means could copy their work and publish it without paying them. Now, of course, vast numbers of people have the means to copy copyright material and the willingness to ignore copyright restrictions - which not only protect the financial reward of writers, whether it amounts to a pittance or much more, but which reflect the effort made by the writer: writing is often arduous. A mechanic who works on a vehicle is entitled to be paid and if a writer can be paid for a piece of writing, then the writer is entitled to be paid. For similar reasons, the copyright of photographers is important. The photographer may have well have needed to spend money before taking a picture, sometimes a great deal of money. The photographer is entitled to be reimbursed for this, and more. Unless he did ask permission and he was given permission to use the image of Iain Duncan Smith, he's at fault.

 

Dave Coates and PPC (purist political correctness)

 

 

David Coates is sometimes stellar, spectacular in his stupidity - which,  by some miracle tends to be dull, lacklustre and tedious too. All I can do here is give a brief outline of a big topic, on the evidence I have. 

  

The Coates' Creed isn't nearly as well known as the Athanasian Creed and the Nicene Creed, statements of orthodox Christian belief, but it's just as absurd, in its own way. It's evidence that modern Edinburgh, like Oxford, Cambridge and London, like the 18th century Edinburgh which was so unreceptive to the great Scottish philosopher David Hume (more on this later) isn't altogether glowing with radiant liberal health. It's evidence that non-believers can be just as ignorant as believers, that people who have no belief in orthodox Christian dogma may well be believers in orthodox non-religious dogma.

 

The Coates' Creed is a statement of Purist Political Correctness (PPC). It can be formulated from the fragmentary evidence you can find in his writing. The Creed begins,

 

'I believe ...

 

that white heterosexual males who identify with the sex they were born into rather than trying to change it ... are inferior.'

 

Strangely, the subject of David Coates' intended PhD thesis, due to be submitted at the University of Edinburgh, is Louis MacNeice, like Cecil Day-Lewis a white heterosexual,  unlike the gay white poets Stephen Spender and W. H. Auden - Roy Campbell referred to these four as 'MacSpaunday.' There's no evidence that Louis MacNeice was unhappy with the gender he was landed with at birth, no evidence that he tried his hardest to become transgender.

 

It would be expected that these are severe - decisive - disadvantages for David Coates the thesis writer, but it seems not.

 

He gives a stern, off-putting notice in a prominent place on his Twitter page

 

https://twitter.com/davepoems?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor

 

Not reviewing cishet white men until further notice.

 

Cishet white men: men who are white, heterosexual and identify with the gender they were born with.

 

What comes immediately before this extraordinary declaration makes the declaration even more extraordinary:

 

Support my work at: https://www.patreon.com/davecoates 

 

The Patreon Website contains pleas for financial support. This is an extract from the plea of Dave Coates:

 

'I'm a poetry critic and blogger based in Edinburgh. I'm also writing a PhD at the University of Edinburgh and working 3/4 days a week at the charming Cloisters Bar in Tollcross. Your contributions will build a small, reliable income that will help me first do the job better through access to books and magazines, and then do the job more often. With your help I hope to spend less time selling my labour in the service industry and more time writing about poetry for you.'

 

Is he that clueless? Why follow a plea for financial help immediately with a statement that will put off so many possible donors? What if a charity appealed for donations with a notice of a staff vacancy immediately below it, with the off-putting statement, 'No white heterosexual males who are happy to be males need apply!'

 

Poetry reviewers and other reviewers of printed material face great difficulties, the ones who aren't sent free copies by publishers. Conscientious reviewers who review a great many books and pamphlets have to spend a lot of money. Buying just a few may be very difficult for anyone without much money. Financial support for critics in this situation is important, but donors should consider carefully which critics are worth supporting and which aren't. The Patreon Website is excellent, even if donors are wasting their money, I think, if they support some of the people who are making the appeals.

 

As an appendix to this section, I provide material on financial support for poetry reviewers and other people. I think the Patreon Website does achieve the objectives I describe. The scheme has been implemented very well.

 

The people who do think it worth supporting Dave Coates are likely to have views very different from mine. His audience may well contain quite a few self-flagellants, people who accuse themselves for being male or for being heterosexual or for not being particularly eager to change sex.

 

I write about one sect of flagellants in my page 'Feminist ideology,' in the section Triona Kennedy and feminist sanctity:

 

'There's evidence that some feminist pulpits are being shunned, that some feminist congregations are diminishing. A feminist sermon is still  printed  in one of the  more sympathetic  newspapers, such as the 'Guardian,' but when Triona Kennedy, the founder of The Astell Project for Women and Gender Studies, wrote a feminist tract for the liberal readership of The Guardian with the title,  'We need gender studies to battle inequality across the board' there was no mass confession in the comments section - men confessing their inadequacy, men confessing their guilt, men confessing that the insights of Triona Kennedy were vastly superior to their own: instead of repentance, rebellion. Commentators shared none of her unquestioning faith in a 'gender equality impact assessment' or her vision of a curriculum which puts 'gender at the centre of the education agenda,' with no room for doubt or arguments against.

'There are men who belong to the strange sect of Feminist Flagellants, forever accusing other men of  hideous sexism and unsparing of themselves, but whining and wailing and denunciations of men were missing from this comments section.'

 

I used to donate to 'Reprieve,' the anti-death penalty organization founded by Clive Stafford Smith. My main reason for donating was my admiration for the work of Clive Stafford Smith as a lawyer who has done so much for people sentenced to death and done so much to oppose the death penalty. My main reason for ending my donations - his diatribes against 'Tories.' People who oppose the death penalty form a coalition, agreed on their opposition but with many different views, atheistic or Christian, right wing or left wing, for instance. Still, he was simply stating his views, and the views were given at some {distance] from the appeals for donors. It would have been different if an appeal for donors had been followed immediately by 'no donations accepted from Tories.'

 

As for LGBT readers and the wider community of people who abhore homophobia, biphobia and transphobia, like feminists,  some of them are indifferent to issues that concern me so much, such as animal cruelty, the death penalty, Islamist extremism, anti-Semitism, threats to freedom of expression, amongst others. Unlike many opponents of homophobia, I concentrate my attention not on dislike or fear of homosexuals in liberal democracies but the legal prohibition of homosexuality and the execution of homosexuals in tyrannical societies. 

 

Dave Coates' poetry criticism is at 

https://davepoems.wordpress.com/

There are many poets commonly regarded as very important, poets I'd consider very important, with some views at least commonly regarded as repugnant, views I'd consider repugnant. I haven't been able to find any instances of poets reviewed by Dave Coates whose views would be repugnant to him, such as right wing poets.

 

David Coates' views are repugnant to me - but I still consider that this is a critic well worth reading and even worth supporting, by means of Patreon. I'm thinking of people prepared to overlook his limitations and people who share his limitations. Despite everything, against all the odds, he can write good criticism - again, with the reservation that he's unlikely to overlook views he dislikes.

 

I'll simply give an excerpt here from one of his reviews, without any comments:

 

Kathleen Jamie, 'The Bonniest Companie.'

 

From his review of 'Old Women:'

 

'It’s such a fine piece of narrative play I can’t decide whether or not I believe there’s a real-world addressee here (there’s certainly no more than one). There’s an air of deep intimacy, that ‘thon’ again in its homely specificity, a tree that can provide for moss and survive the winter, a tree which seems the focal point of an entire relationship. The line ‘we will fetch spring too’ also feels redolent of something folklorey, something between an honour and an obligation, that suggestion that even the turning of the seasons is the result of serious labour and physical endurance. Connecting the tree’s stoicism to that of old women, and old women to a kind of mythic continuity, seems to carry some serious meaning for the collection. There’s a huge amount to be written about the quietly radical gender politics in Jamie’s oeuvre, and The Bonniest Companie adds many subtle layers.

 

'Every time a poem seems to light on some kind of resolution, the book finds a way to complicate or refuse it, keep it in some kind of fluid uncertainty. Though several poems beautifully evoke a kind of deep (maybe genetic) memory – particularly the swans of ‘Migratory III’, ‘a lad they recall / thousands of years ago / skulking in a skin boat with his broken flute’ – the speaker, when she appears as the subject and not the lens of the poem, is often painfully aware of her incapacity to transcend time in the same way.'

 

From his review of 'Deliverance:'

 

'Look, too, at ‘Deliverance’, in which a star shining through branches becomes a pied wagtail trapped in a lobster-creel:

‘O fisherman’s hand, reach in!
Send us chirruping!’

For all its mock-heroism (cf that ‘bobbing’ in ‘High Water’), there is something very genuine, very vulnerable about this plea for release, counterbalanced by the energy and resolve elsewhere. The poem in which the book’s title appears, ‘The Hinds’, is also full of this kind of longing; here, it is ‘the foremost’ of a party of deer who addresses the looker, who has come upon them ‘in a waking dream’:

‘they stopped, and turned to stare,
the foremost with a queenly air
as though to say: ‘Aren’t we
the bonniest companie?
Come to me,
You’ll be happy, but never go home.’

'The precise phrase comes from a Borders ballad in which the hero, Tam Lin, is rescued by his true love from the queen of the fairies. Naming the entire collection after this particular passage, with the deer standing in as a kind of supernatural envoy, is a strange gesture, and not one I’m sure I understand. The rhyme of ‘me’ and ‘home’ is probably a clue: is the suggestion that one cannot be happy if one cannot go home, maybe the opposite? Is there something in the earlier line, ‘alive / to lands held on long lease / in their animal minds’, that mapping of human conceptions of ownership onto the lives of deer, where they patently do not belong? Ultimately, I think, it is part of a suite of complicated thoughts on roots and community, of environmental coexistence and cohabitation, and makes most sense in concert.'

 

Appendix

 

This is from my page About this site:

Benefit for writers, painters, publishers and bookshops: a proposal

I propose a new way of making financial contributions to writers, particularly book writers but including other writers, such as reviewers of books, who are often book writers themselves, of course - as well as financial contributions to artists in visual forms, and to bookshops and to publishers.

The best way of supporting writers and publishers is to buy the writers' books and to buy the publishers' books. The best way of supporting artists is to buy their art work. The best way of supporting bookshops is to buy from the bookshops.

Even so, a supplementary way of contributing to these people and to these businesses is urgently needed, I think. Someone may visit a bookshop a long way from home and find the bookshop very impressive, but visiting the bookshop again to buy more books may be difficult or impossible.  I feel enormous gratitude to the world of book publishing and book reviewing. When I buy new books, I contribute something to the writer but when I buy second hand books, at an independent bookshop or, occasionally, a charity shop, or simply read about a book which I don’t in the end buy new, I’m not contributing. I’d like to have the opportunity to contribute. To begin with, I concentrate on writers.

In a footnote to Chapter 14 of ‘The Enemies of Promise’ (‘The Charlock’s Shade’), Cyril Connolly wrote,

'I should like to see the custom introduced of readers who are pleased with a book sending the author some small cash token: anything between half-a-crown and a hundred pounds. Authors would then receive what their publishers give them as a flat rate and their ‘tips’ from grateful readers in addition ... ‘

'Enemies of Promise’ was first published in 1938 and a hundred pounds is a large sum in today’s values. Half-a-crown is one eighth of a pound. It wasn't a very small amount at the time of publication.

A scheme which allows readers to send money to writers (and to artists, publishers and bookshops) would be perfectly feasible. There would need to be a central Website where, for example,  writers who fulfil certain criteria of acceptance are listed. PayPal makes it very easy to transfer money. Writers, artists, publishers and bookshops simply set up a PayPal Personal Account, if they don't already have one, which enables them to receive and to pay money.' I stress the fact that I wouldn't benefit from the scheme myself. A primary aim of the scheme, as I see it, is to support print publication, not the Web publication which is my main activity.

An article by Alison Flood published in 'The Guardian' (11 July, 2014) gives evidence that many writers' livelihoods are getting worse, not better.

'Earlier this week, the Authors' Licensing & Collecting Society released a survey of almost 2,500 writers which found that the median income of a professional author last year was £11,000, down 29% since 2005 ... By this year, according to the survey, just 11.5% of professional authors said they earned their income from writing alone, compared with 40% in 2005.'

Jeffrey Meyers contributes a sobering assessment of the precarious life of the freelance writer, the modern publishing industry and of bookshops (although many purveyors of rubbish are thriving). His article, published in the Times Literary Supplement (No. 5870)begins

'As a professional biographer without a regular salary (I left academic life in 1992), I have not lost my job or my house. But I have suffered during the current publishing crisis and seen my precarious income eroded on all fronts. Many publishers, magazines and book reviews have disappeared, and many bookstores have closed. For writers without substantial savings, it has become difficult to survive between books.'

 

Cyril Connolly wrote on the same page as the footnote quoted earlier,

'To suppose that artists will muddle through without encouragement and without money because in the past there have been exceptions is to assume that salmon will find their way to the top of a river to spawn in spite of barrages and pollution.'

By 'artists,' Cyril Connolly meant artists who used words as their medium, but I see no reason to limit the benefits of the scheme to literary artists, to writers of novels and short fiction, and to poets.

Writers in other forms deserve to be included, and so do artists in visual forms. The 'others' in the sub-heading could include sculptors as well as painters.  The astronomical sums sometimes paid at auctions for paintings are completely untypical, of course. The reality is that gifted painters and sculptors earn from their work  sums of money which bear no relationship to the many, many hours needed to create them. (They may even earn nothing at all.) If people aren't in a position to  buy a painting or a sculpture from an artist they admire, they should be encouraged to send money to the artist.

Supplementary support for publishers would be very beneficial too.  Readers may well appreciate a particular publisher's work, for the publisher's work in publishing musical scores, or poetry, or feminist writing, or anti-feminist writing, for instance. 

My gratitude to bookshops - not all bookshops, of course, but ones whose stock is interesting - is very great.

I've begun to publicize this scheme and to offer payments in accordance with the scheme (most of my working life was spent in part-time work and so I can't give payments to a large number of people and businesses.) If this scheme or a similar one did gather momentum, it wouldn't be possible  for me to organize it. It would be a sizeable undertaking, if all went well, although the underlying method  is simple enough.

 

This space reserved for criticism of Mark Berry (Boulezian) and David Nice - and any response to the criticism

 

This is the comment I intended to post on the Boulezian blog. It exceeded the length limit for comments to the blog, so I'm publishing it here. The comment here will be replaced by a much fuller discussion.

 

This comment of 'David' (David Nice) and the article written by you, Mark Berry ('Boulezian') deserve a much longer, much more detailed, much more critical, much more hostile response than I can provide here. I'll be publishing this much longer, much more detailed response on my Website, www.linkagenet.com, on the page www.linkagenet.com/themes/culture-industry.htm (for the time being one of the less developed pages of the site.)

It will draw attention to a grotesque contrast - the musical intelligence of yourself and David Nice - very impressive - and the political ignorance of the two of you - mediocre and deeply disturbing. You'll find a section of the page already reserved for this criticism, and any replies that you or David Nice or anyone else can come up with. My site doesn't have Comments sections, but my policy is to publish criticism of me without censorship or moderation. I've complete confidence that you'll publish these criticisms of mine on your blog without any censorship.

Why should you, or David Nice, or anyone else, be concerned in the least by publication on this obscure site of mine? I'd claim that the site isn't that obscure. For a large number of search terms in Google, the site has prominence. Some examples of current Google rankings, emphasizing just one sphere, the ethical (there's a fuller list on the page www.linkagenet.com/about):

ethical depth 1 / 50,900,000
ethics theory practice 9 / 722,000
Palestinian ideology ethics 1 / 3,950,000
feminist ideology ethics 5 / 682,000

There are many other very high Google rankings. A few examples: for the search terms Rilke Kafka, 2 / 482,000, for metaphor theme, 5 / 18,600,000 and for poetry line length, 2 / 17,000,000 (the site is far more concerned with literature than music.)

I emphasize the fact that a high ranking in Google is no guarantee of quality. Similarly, the very high standard of your writing and David Nice's writing on music is no guarantee of a high standard of writing on other matters.

David Nice's writing in this comment of his is abysmal: ' ... thank God for these principled MPs ... thank God for Nicola Sturgeon ... Time to think and act creatively.' He may not think before thanking God or making his facile mention of 'creativity' but he should certainly think before posting them, if he values his reputation.

David Nice mentions the extraordinary efforts of Andy Slaughter MP for prisoners of conscience. This is a field I've been involved in for a very long time, as a very active member of Amnesty International and a death penalty co-ordinator for an Amnesty International group (see also my Website page on the death penalty.) Is Andy Slaughter's support for Palestinians also an uncritical support for their abuse of human rights? My page www.linkagenet.com/themes/israel.htm provides abundant evidence, including evidence from the Pew Research Center on Palestinian attitudes to matters such as the human rights of women and homosexual people. If he disagrees, I'll be happy to publish his disagreement, without any censorship - but probably with a robust and incisive response. He mentions the organisation Avaaz, 'bringing people-powered politics to decision making worldwide.' In the case of the European Union referendum, is Avaaz unwilling to accept the result - a 'people-powered' rejection of the European Union? I was one of those who voted for leaving the European Union. I'm one of those people for whom David Nice and Mark Berry may well have contempt, although my Website should make completely clear the extent of my interest in European values - for example, I include discussion of texts in French, German, Dutch, Italian, Classical Greek and Modern Greek and Polish, usually with my own translations.

As for yourself, Boulezian, where to start? How to do justice to your ignorance and evasiveness (outside the sphere of serious music)? I can only mention a few aspects here. From your letter to your MP, Jim Fitzpatrick: 'As I write to you, the country is descending further and further into chaos.' If civil society descended into complete chaos, the country would very likely depend not just upon the police to prevent further violence but, very likely, upon the armed forces, when the resources of the police proved insufficient. The armed forces, like the police, would be the only means of preventing the attacks of extreme left-wing people or extreme right-wing people. Yet you seem to have absolutely no interest in the armed forces or the police, in the maintenance of forces who can be relied upon to maintain or restore a degree of order whether the threat is right-wing or left-wing. You seem to have no interest in the even more important threats from external enemies, past and present.

German and Austrian culture is what impresses you, not, it seems, the armed opposition which ended the threats from the dark side of Germany and Austria, the hideous German and Austrian Nazi past, which resulted in so much human suffering, including the human suffering and the deaths of so many in the armed forces.

Have you heard of the Turkish incursions which threatened Vienna? How different the history of Europe, how different the history of classical music would have been, if these incursions had been successful! The Turkish massacre of the Armenians is a reminder that the Western world doesn't have a monopoly of cruelty.


Your facile protests against American power leave out of account one important fact - the American struggle against communism was a struggle against forces which have been responsible for the deaths of many millions of people, a number far greater even than the victims of the Nazis. For more information on mass killings under Communist regimes, see

https://en.wikipedia.org/wiki/Mass_killings_under_Communist_regimes

(there are many other authoritative sources if you regard a Wikipedia page with condescension.)

Your own record of opposition to intolerance seems to be not in the least impressive. You were present at the Wigmore Hall demonstration when pro-Palestinian protesters attempted to stop the concert given by the Jerusalem Quartet, but your response was very, very disappointing. By your account, you did nothing to oppose the protest. Your warm response to the artistry of the Jerusalem Quartet isn't enough - you failed to act and to defend freedom of artistic expression on that occasion. There's evidence that your academic institution, Royal Holloway, has severe curbs on freedom of expression, but I've no evidence that you've shown any concern for these matters. Your complacency is completely unjustified.

The MP Jim Fitzpatrick, praised by you, seems to have ignored many inconvenient and disturbing issues in his support of the Palestinian cause. My page www.linkagenet.com/themes/israel.htm gives background material and draws attention to some of the issues, including disruption of the Jerusalem Quartet's concert at the Wigmore Hall and disruption of the Israel Philharmonic's Proms Concert.

Perhaps your world-view in general is simplistic, opposing, for example, the 'virtuous' (such as supporters of the Remain cause) and the 'non-virtuous' (such as supporters of Brexit)? Isn't your view closer to crude North Korean or Chinese communist views than to the complex explorations of a thinking person?

Unlike you, I attach very great importance to matters of national security. I find your comments on NATO, in a previous post, contemptible, as I'll be explaining at greater length in the section on you. Almost all members of the European Union have a half-hearted attitude to matters of national security. The proportion of GDP most of them devote to such a crucial matter is ridiculously small. This is one of the factors that led to my decision to vote for leaving the EU. The issue of migration was another. You seem to have not the least appreciation for the harsh realities of this issue, just as you seem to have little appreciation of many other harsh realities.


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The BBC and its designs on us

 





See also the page Concrete poetry,
'anti-emoticons'   Strenuousness

 

The American garden designer Duncan Brine: 'A successful design doesn’t call attention to itself. It tells a story about the landscape, not the designer.' (From the Website thinkingardens.co.uk)

 

The two emoticons above are meant sarcastically, of course. (My page on Concrete poetry gives a much fuller discussion.) BBC1 News has been using graphic design in more and more obtrusive, more and more ludicrous ways, in accordance with its guiding policy of progressive (or regressive) infantilization. How much longer before news of a better than expected inflation rate or a success in English football is accompanied by the display of a happy, smiling emoticon and news of a  natural disaster or  news from a war zone is accompanied by the showing of a sad emoticon?

The team of 'graphic designers' at the BBC already has a repertoire of emoticons, primitive products of advanced computer technology which spell out, in the most hackneyed way, what viewers are expected to feel. BBC1 News, as well as showing the desperate and grotesque state of the world shows too the desperate and grotesque state of some sections of the  media, such as the BBC itself.

Bad news from a bank, bad news from the City of London - this calls for dark and gloomy storm clouds above some typical  high-rise financial buildings.

 

To show that someone is very newsworthy but under pressure, that the news about the person is very important,   the film of the person walking  is slowed down, so that the person doesn't just walk but walks with very, very significant steps. Again and again, crowds of people in cities are presented in a different way, this time speeded up: contemptible childishness.

 

To show that the  team producing these computer tricks is very important and very creative, despite not being before the cameras, images are made very difficult to ignore. They're obviously determined to be recognized even if they are out of sight. They make their effects so obvious that  attention is drawn to their technical wizardry. On one occasion, before a businessman could say a few straightforward words, he was shown as moving with jerky movements from place to place in the room where he was filmed. If the news is about the 50p tax rate, then a 50p coin is shown slowly rotating on its axis and if it distracts attention from the comment or discussion - and it does - then too bad. This is design as an  irritating hyperactive adolescent might understand it.

 

There are Web designers who have a concern to avoid gimmickry and to make technique unobtrusive and juvenile designers  who think it's quite something to have a heading on a block in some bright colour which slowly rotates. There are Web typographers who avoid any tendency to shout out whenever possible with their choice of type, and others who believe in the manic approach. This BBC  graphics team goes for grossness and cliched obviousness every time. If it has been decided that a statistic such as 'the percentage of waste recycled has fallen below 50%' should be presented in written form, anything like a straightforward presentation is out of the question - the process of putting the text on the screen is as involved and as ornate as the convolutions some Englishmen or Englishwomen feel necessary when they make the simplest of  requests, such as 'Could you pass the salt, please?' But the tone is very different- flashy excess compared with excessive gentility.

 

The BBC: manipulating opinion

 

The BBC uses the opinions of shoppers, passers-by and others to manipulate opinion. The selection of these people and their opinions is often very biased, and very revealing - about the opinions of the  BBC staff who put together the news bulletins. The impression is given that this is what the  public - not always the British public - is thinking and that this is good sense.  The impression is given that in  matters of massive complexity, in matters where the public hasn't been given all the relevant information, someone on their way to buy some fish and chips has what it takes to give an instant opinion.

 

In Egypt, when there was mass action to overthrow Mubarak, the impression was given that the Egyptian opposition to Mubarak was homogeneous and entirely enlightened. The members of the Egyptian public selected talked about freedom - freedom as it would generally be understood in this country. This wasn't in the least a representative sample. It contained few Muslim radicals, who wanted the chance to impose a rigorous Islamic state with Sharia law.

 

After the national BBC1 news, regional news is shown on every day of the week but Saturday. When it was announced that six members of the Yorkshire Regiment had been killed in an explosion in Afghanistan, the regional news for this area, Yorkshire, gave the whole of its time to this harrowing event. The coverage was exemplary, I think, except for the fact that a handful of passers-by gave their opinions on Britain's involvement in Afghanistan and all of them said that the country shouldn't be involved, with one partial exception.

The BBC ought to examine with the utmost seriousness the policies of Wikipedia, the attempts made to minimize bias and selectivity. It's impossible to claim complete objectivity and complete lack of bias in matters such as this, and many more, but there's a great gulf between the BBC's practice, so often, with not the least attempt at balance and fair-mindedness, and the practice of Wikipedia.

 

A short news broadcast can't find the time for discussion nearly as complete as this, Stephen Biddle's piece,  'Is It Worth It? The Difficult Case for War in Afghanistan Simplification, drastic simplification, is often necessary, but the BBC's simplifications are sometimes extreme.

 

Bold print and faint print

 

Bold print is well established, but I see the need to use faint print or very faint print for some purposes - for writing about the world of 'celebrities,' game show presenters and so many other presenters, TV dross in general, supermodels - just call them 'models.' These and others are given so much publicity that the least I can do is give them none at all, and if on the rarest of rare occasions I do mention them, as here, to use faint print or very faint print, reserving normal print for people who deserve it and for real achievement. I use faint print too for people who have no connection with celebrities, the excesses of the media, but for mediocrities - the word is used here in a restricted way. I use faint print sparingly on this page, not consistently. I use it for the first occurrence of a name, or for a few, just enough to show some of its uses.

Some mediocrity celebrity worshippers

 

Razia Iqbal

The BBC has some very good correspondents, but Razia Iqbal, the BBC's 'arts correspondent' [now ex-arts correspondent] wasn't amongst them. Her reports were gems - the sort you find in tacky rings costing 20p or so.

Against all the odds - the trashy cult of celebrity, of 'big names,' 'top stories,' bureaucracy, mental stagnation, indifference, stupidity - there are still writers, artists, publishers, booksellers, editors, critics, gallery owners and even  arts administrators with a concern for excellence. Their finances are often precarious, their future prospects are precarious, they may well receive next to no recognition in the wider world. Not that these people are always virtuous. Luke Wright is working hard to further poetry and to make a precarious living from poetry. Luke Wright is also naive and stupid, as I show in the section The rising and falling of Luke Wright.

 

Razia Iqbal has taken the easy way, which has advantages and disadvantages.

 

Advantages:

 

A good income, much, much higher than the income of most of the people with genuine artistic commitment.
Labour-saving. No need to think. Just use pre-existing phrases such as 'A-list celebrities.'

Disadvantages:

 

Not having the satisfaction, surely, of real achievement, or any achievement at all, the feeling, surely, of hollowness, the feeling that all contributions are instantly forgettable, negligible, without any individuality (due to dependence on labour-saving phrases.)

* Some of Razia Iqbal's characteristic comments:

Drooling over 'A-list celebrities' at the premiere of the film 'The Golden Compass.'

 

'Despite celebrity endorsement from the likes of Noel Kidman...' (on the fashion designer Karl Lagersfeld.)

A report on Annie Leibovitz (described by Razia Iqbal as a 'celebrity photographer') was embarrassingly bad even by her standards, with multiple mentions of the celebrity word.

 

When she reported on the promotion of the arts in Folkestone, Kent, the report was almost completely concerned not with the arts in question, with any artistic qualities but with economic regeneration. The same arguments have been made for 'super-casinos,' their supposed benefits for the economic regeneration of an area. Developers are generally no more interested in the arts than in super-casinos, but for the time being at least, the arts have more prestige.

 

Comments on the painter Francis Bacon by Razia Iqbal and others:

 

Ian Chilvers 'Characteristically his paintings show single figures in isolation or despair, set in a bleak, sometimes cage-like space, and at times accompanied by hunks of raw meat: 'we are all meat, we are potential carcasses,' he said in 1966.'

 

Peter Fuller 'Bacon is an artist of persuasive power and undeniable ability; but he has used his expressive skills to denigrate and degrade. He presents one aspect of the human condition as necessary and universal truth.'

 

David Sylvester 'The paintings are a huge affirmation that human vulnerability is countered by human vitality. They are a shout of defiance in the face of death.'

 

From the Times Obituary 'the sense he gave of the ultimate seriousness of art.'

 

Compare these comments with,

 

Razia Iqbal: 'Many of his paintings are owned by celebrities.' (I'm relying on memory here. The 'many' may have been 'some.')

 

A comment of mine on Razia Iqbal: 'The sense she gives of the ultimate frivolity and unimportance of art, regarded as an agent of economic regeneration, as a source of gossip and as a status symbol for 'celebrities.' She has a consuming interest in A-list celebrities. She was surely an F-list arts correspondent.'

On Razia Iqbal's obsession with money as well as celebrities, from the Web site 'Open Democracy.'

 

http://opendemocracy.net/blog/tony_curzon_price/rowling

 

'But however much Razia Iqbal started in any of these directions, there was one direction that kept pulling her back: Rowling's [my faint print] huge wealth. First we had to be told that having sold millions of books, she was very wealthy; then, a few minutes later, that "Rowling never needs to write again" [for a living], and then, a few minutes later, Rowling was asked whether she was motivated by guilt, "since she has so much"...'

 

But I'm not suggesting that in other respects she's off-putting. She does seem to be a pleasant enough person.

This fixation on 'celebrities' has the most severe consequences for many, many gifted, interesting, outstanding people. It leads to far fewer opportunities for unknowns to make their mark - and make a living - in literature, the theatre and other arts. The fixation denies to published writers the recognition they deserve, and  the chance of making even a barely adequate income.

 

Michael Savage, writing about Beethoven's 5th Symphony in 'The Independent,' under the heading 'Da-da-da-dum! Beethoven sales soar.' '200 years on, the work is enjoying a revival after an unlikely pair of celebrity conductors directed Ludwig van Beethoven's masterpiece during the BBC's reality television series, Maestro.' I've no idea who this 'unlikely pair of celebrity conductors' are who conducted Beethoven's 5th and I'm only mildly curious. The pair called Ant and Dec?

Masterpiece! Why do these people have to be so predictable? I wouldn't have expected a mention of some other masterly works of Beethoven, such as the Eroica Symphony or the 7th Symphony or the Choral Symphony, let alone any of the late piano sonatas or any of the late quartets - just some slight attempt to deflect the notion that here's someone who doesn't know what he's talking about. In the case of Mozart, it's likely that Savage would be writing about 'Mozart's Masterpiece, Eine Kleine Nachtmusik,' in the case of Bach, 'Bach's Masterpiece the Air on a G string, as used in the Hamlet adverts.' 'Dvorak's Masterpiece' would be 'the movement from the New World Symphony, as used in the Hovis advertisement.' We have in his piece too that absolutely decisive criterion of importance, soaring sales. Beethoven himself thought that his Quartet in C sharp minor was his best work, not his 5th Symphony. As it has never enjoyed soaring sales and never will, it won't be of any interest at all to Michael Savage.

 

What is a mediocrity?

 

I don't use the word in its usual sense. Strictly, I should use the word 'mediocrity (2)' to show that I'm using what I call a second meaning. Mediocrity (2) is used in an attempt to be scrupulously fair, to take note of complexities, complications, paradoxes, to express the fact that very often, our information is incomplete, to give 'the benefit of the doubt.' In the technical terms of Linkage Theory, {resolution}:- /mediocrity/.

I think that Razia Iqbal was a mediocre arts critic on the basis of the evidence I have, that she's a mediocrity (2), a mediocrity only in a restricted sense, although, since her job was that of an arts critic, the restricted sense is very important. I don't claim that she's a mediocrity (1), a mediocrity in the usual sense. My knowledge is too limited to claim that.

 

I don't claim that people addicted to the  diseased world of TV dross  are necessarily mediocrities, The British troops who served in  Afghanistan were more likely to be interested in this dross than in the world of high culture.  The armed forces of a democracy carrying out their task with such courage and professionalism are entitled not to grudging respect but wholehearted respect and support. In the Second World War, their counterparts  showed such courage in depth-charged submarines, in burning aircraft and burning tanks, amongst minefields, in the bombed cities, in all the theatres of war that to describe them as mediocrities would be very, very wrong.

 

Love and linguistics

 

The word 'love' hasn't yet been ruined, but nearly so. Second-hand items, such as a dog-eared copy of a mediocre minor celebrity's ghost-written paperback autobiography (or biography) have become 'pre-loved' items.

 

 From the Horticultural Trades Association's Website:

 

The Horticultural Trades Association’s British Conifer Group (BCG) latest campaign ‘Love Me, Love My Conifer’ will help garden centres create unique and engaging displays for this year’s National Conifer Week which takes place from 1-9 October 2011. 

‘Love Me, Love My Conifer’ highlights how there is a conifer to suit every person as well as every garden situation. Conifers comes in a wide range of different shapes and sizes, just like us, and each one has its own unique personality and uses, providing the garden with structure, background, texture and contrast.'

 

'Personality' is on the way to ruin too, with more to do with the manipulations of marketing than the striking differences and nuances of human personality. 'Unique' too: the uniqueness of conifer personalities and the need to love these endearing conifer personalities, or so it's claimed. And so to the most important part, money:

 

'Gary Carvosso, Managing director of Coolings, is enthusiastic about the campaign, “Conifers contribute to the plantarea’s [sic] profitability and equal almost a fifth of our shrubs sales by turnover. With an average sale per plant of £14, and a significant increase in sales this year, with more imaginative retailing and colour blocking in volume, we expect to continue to build on these figures ... '

 

Now, love is everywhere, in casual form, either using the word 'love' or the symbol

 

Already, so much has been lost. One of the supreme words of English has lost so much of its content. The word has been adulterated. When a word becomes almost unusable for conveying so much more intensity than the new use conveys, a substitute doesn't appear, to make up for the loss. 'Love' is a word which in the past has often been used insincerely, casually, but never on the scale we have now.

 

Descriptive linguistics has to be supplemented with prescriptive linguistics. A changed use of a word  may amount to abuse and a linguistics completely without evaluation is complicit in the debasement of language.

 

Sometimes, a word which is abused has replacements - the language has redundancy to this extent - but not always. This is so in the case of 'love.'

 

 

Strenuousness

 

Strenuousness is very widely recognized and very highly regarded in the field of physical exercise and physical skills. Many, many people run a half-marathon or a full marathon instead of taking a relaxing stroll as their only form of exercise. People practise tennis or golf or some other sport so as to become much better players.

 

The importance of strenuousness is more often denied in matters to do with the mind than matters to do with the body. Here, all too often, being lazy is nothing to be regretted. Aiming higher is unimportant.

 

Some examples of strenuousness, not in the field of physical exercise and physical skills.

 

From the Foreword to 'Common Families of Flowering Plants' by Michael Hickey and Clive King, quite a technical work:

 

'The decision to make radical changes in the book, and in particular to restrict its coverage to 25 common Angiosperm families, is one which cannot have been taken easily.

 

...

 

'However that may be, we can all unreservedly welcome the new 30-page section on basic botany. It is a fact that there is a large and growing demand from older students, many of them really enthusiastic gardeners and field botanists, who would like to move their hobby from a casual to a more committed interest, and have the enthusiasm and ability to do this. For them this new book caters supremely well.'

 

A second example, from serious music, including 'classical music.' There are many, many really enthusiastic listeners  who could take their listening to a more committed level by sometimes following the music score whilst they listen. The knowledge of music needed to do that isn't very great. I already have the knowledge to do that, as a player - or ex-player of violin and viola - but I don't in the least have the musical knowledge needed to obtain anything like the fullest benefit from using a score, above all in knowledge of harmony. I gave up music at an early stage at secondary school and don't have the aptitude to study this particular branch of music theory. I've far more knowledge of matters such as form and instrumentation.

 

Richard Booth, Private Eye and Edgeways Books

 

Ian Hislop, the editor of 'Private Eye,' is a good man, but obviously not a perfect man. The comments here relate to the magazine rather than the editor.

 

A letter cancelling my subscription to the magazine (revised in a few places):

 

'I've subscribed to Private Eye for many years. I've cancelled my subscription now. Bookworm's attack on Richard Booth of Hay-on-Wye was vindictive. This was low-level gossip, smirking, smug and unscrupulous. Richard Booth wasn't and isn't a mediocrity. What he's achieved is remarkable, outstanding - the creation, against all the odds, including bankruptcy, of the first of the Book Towns, but much more besides. In a degraded culture based on celebrity-worship and the distortions of the media (including your own distortions) he has caused no harm and done a great deal of good. To call him 'Bokassa' is ridiculous, demeaning and insulting. The Kingdom of Hay, the Hay passport, the 'Hay-on-Wye navy' (a single boat on the River Wye) are no evidence of megalomania but a combination of tongue-in-cheek cheekiness and deadly serious protest against deadening uniformity. He's exceptionally interesting and a sworn enemy of bureaucrats and commercialisation. Is his  protest against the commercialisation of the Hay-on-Wye Festival something to be held up to ridicule?

'The unspeakable Bookworm refers to so-called 'grand gestures' and claims that Richard Booth 'lacks the energy to follow them up nowadays.' Richard Booth had a life-threatening brain tumour. He's worked very hard for a very long time. He's earned the right to take things easier many times over.

Yours, with revulsion,

Paul Hurt.'

 

Well before Bookworm's attack, I'd become more and more disillusioned and disappointed. The inventiveness of 'Private Eye' was still very impressive but the vigour it still showed was directed far more often against minor bureaucrats and politicians than in any attacks on the state of literature and the media. Here, it had become soft-centred.

The Web site of Edgeways Books has superb comment on the decline of Private Eye. I'd recommend it wholeheartedly.

 

 

From http://www.edgewaysbooks.com/

 

'Eyewash

'A magazine that doesn't see the simple foulness of Celebrity Big Brother has just joined the misery it exists to satirise. There are other things to read in the world.'

 

And,

 

'What Bookworm has taken to doing in default is weak: merely doing what he rest of the paper does, picking on those weaker than himself, the easy targets...' [I would qualify this. Not all Bookworm's targets are weaker than Bookworm. Richard Booth is in no way a weaker person than Bookworm.]

 

See also the pages on 'Private Eye' at

 

http://www.edgewaysbooks.com/Eyewash.html

 

and the pages of incisive comment at

 

http://www.edgewaysbooks.com/columns.html and

 

http://www.edgewaysbooks.com/magazine.html

 

Friendly fire: Harry's Place

 

In general, I contribute to the comments sections of Webs and blogs at infrequent intervals, but for two short periods, I contributed many, many comments - too many comments - to the site Harry's Place. Harry's Place is a site which reflects my own views in so many ways, to give just a few examples,  support for Israel and opposition to Islamism. As I point out in various places on this site, causes are coalitions, made up of people who agree about some things but who may disagree about many other things. Allies may even include enemy-allies. This sub-sections below are included as archive material, but there are many, many insights, I'd hope, into human nature and the complexities and contradictions of causes and support for causes.  Human nature is often overlooked in discussions of causes and the work of activists - although Harry's Place isn't so much an activist site as a discussion site and a talking-shop. Again and again, Harry's Place is wonderful and impressive, but it's not consistently wonderful and impressive.

 

A main reason for including this extensive section - simply put, an interest in people. Novels can show the immense variety of human life, including the interest to be found in uninteresting people, and the comments sections of blogs and Websites can add to our knowledge, although there are obviously many, many commenters who show an unrelievedly and irredeemably tedious side in the digital world.

 

Nasty, brutish and short: some 'Harry's Place' comments


Address of 'Harry's Place:' www.hurryupharry.org

Thomas Hobbes on human life in a state of nature: 'nasty, brutish and short.' ('Leviathan,' 1651.)

First, some nasty, brutish and short comments aimed in my general direction by Vildechaye, who does have a blog, 'Henry's cheap eats and treats in Vancouver,' but prefers to write for 'Harry's Place' www.hurryupharry.org - followed by material (mainly critical) on other Harry's Place regulars, including mettaculture and Sarah AB.

Vildechaye to me:

'You need to remove whatever is jamming up your pompous arsehole and piss off.'

'up your bum.'

A slighter longer, more carefully considered comment on me:

'Just saw this. You're right, i'm not one of the moderators, dickhead. Now be a good little narcissist and fuck off.'

His first comment after finding that I intended to add this piece to the site, with mentions of him:

'You can add this comment to your piece: GO FUCK YOURSELF.'

Followed in next to no time by another comment ending with

' ... go fuck yourself.'


Vildechaye was born in Francophone Montreal, so there's a good chance that he understands this - but I give a translation, all the same:

'Cet animal est très méchant:
Quand on l’attaque, il se défend.'

'This animal is very wicked.
When you attack him, he defends himself.'

Vildechaye's  comments directed at other people. A small selection, which obviously satisfied the moderator (moderating 'Harry's Place' must be one of the easiest jobs in the world):

'fuck off.'

'you can fuck off too.'

'you really enjoy talking out your arse, don't you?'

'actually you're just a bigoted asshole with a thin veneer of intellectual pomposity who cherrypicks sources -- on Youtube! -- and thinks he's being clever. uh uh.'

'yes we're all listening to the likes of you now, you lying sack of shit. Care to tell everyone where I wasn't brought up again.'

Vildechaye is tireless as a Disqus commenter. He's not so tireless as a blogger. He writes under the name 'Henry' and he's the creator of a blog, 'Henry's Place.' Not really its name. The official title is 'Henry's cheap eats and treats in Vancouver.' In his blog profile, he describes himself as 'writer/editor.'

The address of the blog:

http://vancouvercheapeats.blogspot.co.uk/

The introduction to the blog:

'I never liked paying a lot of money for food, and now, with 3 kids and a mortgage, I like it even less, especially since even the fanciest, priciest foods can't compete with the foods I really like. I continue to discover lots of cheap eats and treats in Vancouver, and the purpose of this blog is to share them with you. You'll save money, eat well and feel good. Bon appetit!'

A thorough commentary on the blog:

It's been in existence for seven years, quite a long time in blog terms. And in all that time, how many posts has he written? 0, none, zero. The hungry hard-up people of Vancouver must be getting restless. Hurry up, Henry! Time to make an effort. An introduction to a blog won't feed the masses!

Vildechaye to me:

'You've chosen just the right kind of job for a person of your intelligence and ability -- reviewing empty blogs, I wish you luck in your latest endeavour. It definitely suits you.'

Then there's mettaculture, another scathing critic of me. He's quoted extensively below. It was one of his comments, with the phrase 'fucking cunting fuck-cunts,' and my response to the phrase, that marked the beginning of a wide-ranging dispute. After I responded to his criticism, coincidentally perhaps, he's contributed practically nothing to the site.

Marko Attila Hoare mentions mettaculture on his blog 'Greater Surbiton:'

https://greatersurbiton.wordpress.com/2009/11/20/the-trouble-with-harrys-place/

'Greater Surbiton' really is a proper blog, with many, many entries, including one called 'The trouble with Harry's Place.' I agree  with his general criticisms of tendencies at 'Harry's Place.' I'm not in a position to endorse his particular criticisms of mettaculture. I've no evidence to guide me. Below, I give mettaculture's allegations against Marko Attila Hoare, in the piece which mentions that he's a barrister and clearly warns me about some possible consequences for me - in his opinion. I don't endorse mettaculture's allegations against Marko Attila Hoare either, of course. Again, I've no evidence.

Marko Attila Hoare writes in 'The trouble with Harry's Place,'
 

'As someone who has written posts in defence of HP on more than one occasion, and who stood up for you when you were driven off the internet by a libel threat, I don’t think I can be accused of political or personal hostility to you. But the more familiar I become with this blog, the more distasteful I find the atmosphere here and the more questionable I find your ethics.

 

'For me, the turning point was having threats repeatedly posted against me by Mettaculture: he threatened me physically; threatened me with a libel suit; threatened to contact my employers. He also attacked me for the colour of my skin,  and tried to intimidate me with graphic descriptions of anal sex, having previously tried to bully me into silence with references to my class background and foreign name. Not to mention all the vicious personal abuse (‘whore’, ‘douchebag’, etc.).

 

'I'm not intimidated by this; Mettaculture’s kind is a dime a dozen, and I’ve had my share of such creatures attempting to intimidate me. But it does constitute harassment; it has nothing to do with ‘freedom of speech’. Not only does HP not condemn such behaviour, it encourages it, providing a forum in which every little anonymous internet psycho or stalker can engage in such activities. When I tried to defend myself by outing Mettaculture, I found that I was the one whom HP censored.'

 

Lamia to me (written before I'd included the examples of comments Marko Attila Hoare alleges were written by mettaculture):

 

'Utterly extraordinary. If you are going to repeat such incredible accusations then I think you ought to say eho [sic] they are by - otherwise people might conclude that you have just made up a load of defamatory rubbish about mettaculture. I don't believe he has done any of that.

 

Marko Attila Hoare's gives examples of comments he alleges were written by mettaculture. All I've done is copy and paste these comments. I don't have any evidence to confirm their authenticity and veracity:

 

‘We are all racist’s [sic] according to the pasty white boy. He know’s [sic] you see, being a spolit middle class narcissistic solipsistic pasty white brat.’

 

‘No I am really fucked off and am out of here. I am out of here for my Turkish lesson where I hope to learn the correct conjugations of fuck, fuck my ass, suck it etc. Then I go to dinner with a new beau, he’s Anatolian and very dark and speaks a funny language only if you are a moron or are scandelighted by saying it. When he is sliding his very dark dick into my ass at my recently learned Turkish encouragement, i shall think of your pasty smug face and your prim white ass and what it is evidently missing. Now clutch your pearls in horror why don’t you.’


In a reply to me, mettaculture told me that the word 'scandelighted' is a neologism coined by him and the same word is used here but I don't claim  this as evidence that he did write those comments.

 

Marko Attila Hoare is an academic with a very good publication record and very interesting personal experiences: he witnessed the Kosovo War of 1999, covered the fall of Milosevic in 2000, worked as a Research Officer for the International Criminal Tribunal for the former Yugoslavia in 2001, and participated in the drafting of the indictment of Slobodan Milosevic.

 

In general, my political views are opposed to his. In general, unlike Marko Attila Hoare, I'd endorse the views and writing of Douglas Murray, for example - but not all of them. I'm a subscriber to 'The Spectator,' where Douglas Murray often publishes.

 

This is mettaculture's comment on my use of the quotation from the blog 'Greater Surbiton:'

 

'In fact be very careful if you do not know the context you are being foolish. I did indeed state that I was not be prepared to be defamed as a racist. You should be aware of reproducing such libellous comments too.

'I do take action against baseless false accusations of racism. I kindly asked Socialist Unity to stop from reproducing defamatory accusations of racism and they did.

'If you think it is clever to falsely accuse people of racism then you are not being wise not at all wise.

 

'This person this prior would be defamer, for what it is worth, had personal issues with me and he was chastised for revealing my identity on HP. He did not seem to understand that some of us really are at personal risk from Islamists and their supporters.

 

'I think he never got over being told off. I would rather say that he was the bully thinking that an anonymous poster was a nameless loser who he could traduce with false accusations of racism.

 

'I am not a racist and I will not tolerate you or anyone else reproducing comments that state that I am without giving me the right to defend myself.

 

'Now is this perfectly clear to you?

 

'If it helps you to know that I am a barrister, then perhaps you might understand the waters you are wading in.

 

[dmra accused me of 'telling people who have long been valued contributors how they should conduct themselves' in a 'pompous manner' but do I detect a trace of pomposity in mettaculture's warning here? I did detect a trace of pomposity in an earlier comment of his, 'Oh of course you completely missed my cultural references!' He's referring to his 'fucking cunting fuck-cunts' and he's completely correct in one way. I completely missed the cultural references in 'fucking cunting fuck-cunts.' Back to mettaculture's warning to me.]

 

'I have no idea who you are, nor do I wish to. I have no inclination to engage with you or cause you harm.

I cannot understand your actions other than as someone who has come into a conversation, sided with the unconscionable (Jihadis who call for the death of homosexuals), and taken objection to the use of English profanities (which are incapable of being libellous, they are merely vulgar insult).

'Whether you picked a fight or are overly sensitive or are simply trolling for attention and traffic to your own website is of no real importance.

 

'It strikes me, however, that it is reasonably clear to an impartial observer who sees the whole picture, that rather than being some kind of defender of free speech and Internet free speech at that, that you are for whatever reasons, interested in persons and vindictive smearing of persons rather than in the actual substance of ideas and discussions.

'I will not allow you to defame me by further reproducing statements that are clearly libellous.

 

'Do you understand?

 

'I have taken screen shots of the full context so that no-one may be in any future doubt as to what transpired.

 

'It is you that now appear here with a thinly veiled threat to begin to dredge up and re-produce an old smear attempt, that you would do well to inform yourself of, that you are aware I consider (and it is a legally well informed opinion) defamatory.

 

'I sincerely hope that you reflect carefully upon this and do not drag yourself into further foolishness.

 

'The commenter who you seek to resurrect did not ultimately do well out of such pettiness posing as analysis. This had nothing to do with me rather more with the way that such actions were perceived by neutral observers.'

 

After reading all this, I could have asked, 'What do I do now? Beg for mercy?'

 

Martin Seymour-Smith, 'Guide to Modern World Literature:'

With the advent of the Second World War Edith Sitwell adopted a new, earnest, apocalyptic manner, which culminated in her (surely too triumphal) entry into the Roman Catholic Church in 1954 ... Edith Sitwell attempted to fuse the richness of Yeats, a grand high style, and the seventeenth-century complexity of such poets as Crashaw and Vaughan. The result is pretentious, vacuous, rhetorical, as at the beginning of 'Dirge for the New Sunrise' ... Rhapsodies of praise flowed from certain knighted cultural entrepreneurs but not from critics. These later effusions of Edith Sitwell - Dr Leavis, having been read one of them in a suitably lugubrious manner by an enthusiastic pupil, is supposed to have asked 'What do I do now? Ejaculate?' - are now for the most part unread. But the vigour of her early poetry, for all its emotional emptiness, should never be forgotten.'

 

This document of mettaculture's  doesn't worry me in the least. Does the barrister's brain of mettaculture register that I wrote, 'I'm not in a position to endorse his [Marko's] particular criticisms of mettaculture?' If mettaculture has failed to take legal action for libel against Marko Attila Hoare of Greater Surbiton then he certainly won't be taking legal action against me.


I'm not in the least bit worried about anything else mettaculture can do. (After his brief display of outrage, I've heard nothing further.)

 

Mettaculture posted seven comments on 'Harry's Place'  within a short time of this article first appearing here, including the one quoted above. This was ludicrous. He was posting these comments, including the one which conveys his barrister's expertise, in a section which has now disappeared from 'Harry's Place!' Although they've sprung up here.

 

He's welcome to publish his comments, including his outspoken criticisms of me, in the comments section of this page. But he has his own blog.

 

https://mettaculture.wordpress.com/

 

This is a very poor blog. It provides a few comments posted at 'Harry's Place' in January and June 2013. (Some of my comments at 'Harry's Place' and other sites are given in the section What's new, or was new: sections list of the page 'About this site.')

 

 His blog could be used for other purposes. For instance, why doesn't mettaculture respond to the allegations made at 'Greater Surbiton' on his blog? It seems an obvious thing to do. What's stopping him? He can't comment - or issue more warnings - in that thread at 'Harry's Place.' Comments are now closed at the thread.

 

Lamia rushed in to support metaculture (I don't claim that this is an instance of 'fools rush in where angels fear to tread.')

 

Lamia to me:

''Utterly extraordinary. If you are going to repeat such incredible accusations then I think you ought to say eho [try using the edit facility provided by Disqus] they are by - otherwise people might conclude that you have just made up a load of defamatory rubbish about mettaculture. I don't believe he has done any of that.'

 

Lamia was writing before I published the extraordinary comments which Marko alleges were written by mettaculture. There was an abrupt change at this point. A very strong reaction could have been expected from Lamia but in no time at all, Lamia went from shocked to weary.

 

Lamia to me:

 

' ... Paul, this argument is of only fading interest to myself and, I suspect, mettaculture ... '

 

To judge from mettaculture's response to this piece - seven emails in quick succession and clumsy attempts to intimidate by alluding to his power as a barrister - I don't think for one moment that mettaculture will have regarded the further publication here of the comments Marko alleges were written by mettaculture as 'of only fading interest.' Perhaps one person in a clique was trying to protect another person in the clique.

 

I haven't made up 'a load of defamatory rubbish' then. I've simply quoted from Marko's site. 

 

One very surprising fact. Sarah AB is one of the moderators at 'Harry's Place' (a very ineffective moderator) and a frequent contributor, of articles as well as comments at the site. She has a blog, 'Ariachne's Broken Woof: The Weblog of Sarah Annes Brown www.adjb.net/sab/  Sarah Brown is the Professor of English at Anglia Ruskin University. The blog gives a 'blogroll' of favourite or recommended sites. It's no surprise to find 'Harry's Place' listed. It certainly is a surprise to find the blog of Marko Attila Hoare listed.

 

Although mettaculture can dish it out, can he take it? This was his reaction when I informed him that I'd be writing this  piece. It's followed, after some comments of mine, by one of the seven posts he directed at me in a short time after the piece was published. A sign of panic, perhaps? He gives me a severe warning, 'If it helps you to know that I am a barrister, then perhaps you might understand the waters you are wading in.'

 

His reaction before seeing this piece:

 

'Oh yes please go ahead and quote me entirely out of context, it will not be the first time that has been done.

'I am sure that you can harvest a few profanities that all were in relation to the abuse of the concept of freedom of speech by Jihadists, Islamists and their apologists.

 

'If you cannot see that a person who is targeted for death (me, a gay man) by a pernicious ideology, for the sole reason that I exist, is, at the very least, entitled to express his contempt for their incitement for my murder (an actual abuse of free speech) by swearing at such malevolence, then there is something very, very, wrong with you.

 

'That you respond to my (simply vulgar) use of free speech by expressing a desire to 'shut me down' or 'expose me' via your little blog and say nothing about the actual incitement to murder that is routinely propagated by Jihadis and their apologists, puts you with in the ranks of Jihadi apologists and firmly with the enemies of both free speech, free association and the basic right to life that all people should expect to be, well basic rights.

 

'Rest assured however that those of us whose existence is threatened by Jihadist apologists abusing the concept and actuality of free speech will not allow ourselves to be cowed.

'Now please quote this. After all you are not a narrow social sectarian pushing your preferred ideology, you do support freedom of speech right?'

 

Another of the seven posts aimed in my general direction by mettaculture included this:

 

'If you wish to create a post that (because of its selective quoting) misrepresents HP then go ahead but it is your own reputation you are tarnishing.

 

'You have been treated to a great deal of reasoanbly polite interaction on this threas.' [Spelling as in the original.]

 

Well, by these relaxed standards, mettaculture might even describe a knee in the groin and a thump on the jaw as 'reasonably polite interaction.'

 

I do the best I can. I'm under no obligation to enhance the reputation of mettaculture but I do what I can to avoid distortion. If he imagines that I carry the entire burden of presenting the issues and quoting from the participants, then he's very much mistaken. I received this communication from him not long after stopping work on this section for the day. I'd already written a large proportion of what's here, after many hours of work. I'd done preparatory research well before dawn.

 

If  the outcome of my work isn't to his liking, then  mettaculture should collate the sources, do the writing and publish his account - in the comments section of this site, on 'Harry's Place' or on his own blog. If he doesn't care for the thesis, then he could make the effort and write his own anti-thesis.

 

I'm sure that mettaculture, a barrister, isn't in favour of a legal system where the defence team does all the work and has the responsibility of conducting the prosecution case as well, or the prosecution team does all the work and has the responsibility of conducting the defence.



I'm not in the least danger of ignoring the  strengths of 'Harry's Place.'  I'm not in the least danger of overlooking the fact that the poor comments of the people I criticize in this section are outweighed by others, far superior ones. After an exchange with Lamia on the subject of torture and the death penalty - I consider Lamia's views abhorrent - 'Kolya,' who no longer posts comments, defended Lamia and wrote about the quality of many of her comments. I agreed with him.

 
The profession of barrister has come a long way. In 1960, in the case R. v. Penguin Books Ltd, Mervyn Griffith-Jones was the prosecutor. Penguin Books was on trial for publishing D. H. Lawrence's 'Lady Chatterley's Lover' and the use of 'four letter words' in the book was part of the prosecution case. Prosecuting council came out with this gem: 'Would you approve of your young sons, young daughters - because girls can read as well as boys - reading this book? Is it a book you would have lying around your own house? Is it a book that you would even wish your wife or your servants to read?'

Now, in these very different times, another barrister comes out with 'fucking cunting fuck-cunts.' Will there be further loosening of the norms? Probably nothing to compare with the changes we've witnessed. I doubt if defence counsel will ever address prosecuting counsel using the words 'Fuck off, you cunt.' (At least, not in court.) Obviously, mettaculture wouldn't defend this language in this setting. I criticize the use of this kind of language in the setting of 'Harry's Place.' This is in accordance with my view of the site, as a prominent site for presentation of the pro-Israel case and for presentation of other distinctive views - and, I'd hope, a site which can promote responsible activism as well. Some commenters may have very different ideas.

We have the clash of two very different interpretations. If mettaculture's interpretation outweighs mine, then I'm hopelessly misguided, for my original objection to 'fucking cunting fuck-cunts' and for quoting (but not endorsing) the criticisms of Marko given next. He should remember that I criticized 'fucking cunting fuck-cunts' on various grounds, including its blurring of essential distinctions (as I see it) between Amnesty International and an Islamist person and organization. I know that dmra supports mettaculture's original statement and opposes my original objections. She may or may not support his later statements on the Marko criticisms.

 

I'm not a beginner as a polemicist. The image at the top of the Home Page gives 'Polemics' as one of the themes of the site. I've seen off far more formidable people than him.

 

As mettaculture is a barrister, there's perhaps a greater chance than usual that he understands Latin. If I could choose a motto for myself, it might be 'Nemo me impune lacessit.' 'Nobody harms me with impunity,' or 'Nobody harms me and gets away with it.'

 

Although my attitude is more complex than that. This is from my polemical page Crap and credulity:

 

' ... I'm a polemicist to a certain extent, no more. I'm not a born complainer. I've practically never complained about anything - inedible food, shoddy workmanship, or anything else. On the few occasions when I have, I've almost always regretted it, even if it could easily be justified. The critic's role comes much more easily to me than the role of complainer but I often have qualms. My criticism isn't relentless. For example, I contacted one person who had given the whole of 'The Daily Telegraph' online report on his Website, pointing out the errors in the report. I made a few critical comments on the person's Website on this page. Within a short time, I removed all reference to this person and his Website, simply because I had respect for his achievement, not any achievement in his Website, but the achievement of his business, which I thought was a courageous one, undertaken in very difficult circumstances. Later, one of his friends or colleagues contacted me to say that the material on me had been removed from his Website. I hadn't asked for it to be removed. I've never asked that anyone should remove - or alter - any material critical of me. He said that the Website would be closed down, owing to pressure of work.

 

I don't have vindictive feelings towards mettaculture or any of the other people criticized here in the least. I find mettaculture quite a sympathetic person - by which I don't mean, of course, sympathetic towards me. He seems much more amiable than Vildechaye. Other people's experience of him may be very different from mine. I considered removing all the material on him here. I think it's best if it stays, for the time being at least. I'm not going to do anything offensive with it.  I think his response was very reckless and that he could do himself real damage if he tries anything at all similar in the future. The material here may possibly deter him from trying it on in the future with people more ruthless than me. This isn't intended to be condescending, and this is obviously based on hypothetical suppositions, but it seems to me that it's in his own interest that he doesn't attempt anything similar in the future.

 

When I found, from my infrequent looks at 'Harry's Place,' that he hadn't contributed a comment for quite a time, I actually began to get very worried about him. I thought it likely that the material here had had an effect on him, and sent this email to Sarah AB, moderator at 'Harry's Place:'

 

'A short time ago, I read that you’d emailed mettaculture. I’m very glad that you did. Obviously, you were concerned about his well-being.

'I share your concern, very much so, and it may surprise you to find that I’m the Paul Hurt who’s written an extensive section which is very critical ef him on the page ‘The Culture Industry.’ It seems that  mettaculture didn’t reply to your email, but you took that as a sign that  he was well. I hope that’s so.
 
'This was simply intuition on my part, with no evidence to guide me, except for the fact that he hasn’t posted comments at ‘Harry’s Place’ for quite a long time, but I’ve felt that my criticisms have had an effect on him – it may
be a serious or even devastating effect. I hope not. Or it may be that he’s shrugged it off and has no concerns. In the ‘Culture Industry’ section, I explain that any polemics I engage in aren’t unrestricted. I know what it’s like to be on the receiving end of hostile action, or determined
opposition.
 
'I you are able to contact mettaculture, I’d be grateful if you could assure him of my concern and good wishes. I’d be glad to hear from him, if he ever wants to contact me (he may well not want to, of course.) Obviously, if he did, this would be under conditions of strict confidence, and if he decided to phone me or write to me, he could conceal his own phone number or address. These are my contact details: [I gave my home address, phone number and email address.]
 
'Obviously, I’d prefer that these issues are kept confidential and aren’t mentioned at ‘Harry’s Place.’
 
'No reply is needed to this email, but you may perhaps want to email me with any further news and information about mettaculture which comes your way.
'I'dd be completely willing to remove some or all of the material on mettaculture from my site if I find that the situation is at all serious. (I hope it isn’t.)'

After that, I removed mention of his real name. An argument for retaining mention of it is that his blog gives his real name:

'My blogging name is mettaculture my actual name is [name withheld here]  I post almost exclusively at Harry's Place mostly I snipe from the comments boxes but do occaisonal guest posts.' [Spelling and punctuation as in the original.]


Not long after I'd removed his real name, he posted this at 'Harry's Place:'

 

'I have just spent the last three weeks in Turkey (hence my non appearance)' and 'I had a great time. I attended both a gay event (several in fact) and the Istanbul film festival.'

 

He refers to visiting Turkey and there are Turkish associations in the piece which Mark Attila Hoare alleges was written by mettaculture and which was directed at him, but obviously I don't claim that this is proof that mettaculture did write the piece:

 

mettaculture regards me as a Jihadi apologist, an enemy of free speech and someone indifferent to the plight of homosexuals.  I'd previously given this information in a reply to him  (If he never read it, it's not my fault):

 

'I'm not gay but I've opposed Islamist views of gay people in very forthright tones in public at various times. I attended a debate organized by the Palestine Society at one of the city's universities not so long ago and spoke. One of the things I mentioned was the plight of gay people in Gaza (as you probably know, homosexuality isn't illegal in the West Bank.) In the days before the debate, I contacted members of the LGBT society committee at the university urging them to attend the debate too if at all possible, giving reasons.

'You write about 'the festering climate of anti-semitic and homophobic hate that is growing unchecked' thanks to people like me. Your allegation parts company with reality.'

Well before he wrote that, I'd posted a comment on 'Harry's Place' which included a quote, a plea by 'Mitchell' for freedom of speech and for the rights of homosexuals in opposition to the views of Haitham al-Haddad:

 

'The liberal principles cultivated in the West will not be sent to the moral mass grave of Islamic ‘values.’ We will not capitulate to unreasonableness, and we pride ourselves on the enlightenment values of Mill, Voltaire and Shelley. Alan Turing, Steven Fry, Douglas Murray ... these men are of solid moral fibre and to condemn how they love [Mitchell is wrong in supposing that all of these are or were homosexual - the first three weren't] is to make a mockery of anything a decent religion would stand for. Churchill spoke of the retrograde nature of Islamism. Second class citizenship for homosexuals will not cut it. Your right to your opinion is there, but if you wish to flex your theocratic muscles, please do it to the tune of masturbating Ayotollahs and 
fawning Sheikhs, for you will not mobilise your totalitarian forces on the shores of rational, liberal democracy. I urge you to embrace the principles that built the World Trade Centre rather than the world-view that toppled it.'

 

I include the whole comment, including this quotation, on the page 'About this site' which gives a selection of my comments at 'Harry's Place.' It has the title Banning extremist speakers (1).

Polemics are only one facet of this site. Technical discussion with a degree of rigour is very, very important to me. I'd claim that my page Metaphor and {theme} is an example. If people like Eleanor Turney and 'Lorelei' write condescending crap about me, ' 'Oh dearie me, someone needs metaphor explaining' then they can expect some sort of polemical response. They duly received a response, in the section The first casualties of the page 'Crap and credulity,' and by other means, as did 'Macheath,' who wrote, 'The concept of metaphor, or of extended imagery, seems to have passed him by ... ' (In the case of Macheath at least, there was appreciation as well as criticism.) Putting my name and metaphor into Google would have given them evidence in no time at all that I wasn't completely ignorant of metaphor.

 
dmra added a comment to the comments page linked to this page to complain that 'I'd described her as 'irritating' but that I'd failed to give any evidence.  I replied. I could have added that when people use a mild word like 'irritating' or a less mild word like 'dickhead,' they don't always provide evidence, exhaustive or otherwise. She'll find that Vildechaye didn't produce the evidence for the claim that a commenter at 'Harry's Place' is a 'lying sack of shit.'


Vildechaye and mettaculture seem to me by far the most far-gone of the people criticized in this section, whilst dmra is 'sensible' and 'moderate,' even if she doesn't seem to object to Vildechaye's not overwhelmingly sensible and moderate comments or quite a number of other comments aimed at me during the dispute. She does concede (in one of her replies to me) that 'some of the comments may have crossed the line slightly.' She doesn't give any examples, but perhaps she'd concede that  ''You need to remove whatever is jamming up your pompous arsehole and piss off' is a comment that 'may have crossed the line slightly.' In general, dmra is quite an impressive commenter, but not during this dispute, I think.

 

Far-gone people are often strong, but I don't think that Vildechaye and mettaculture are strong, not in this dispute. There's a pathos in pathetic or partly pathetic people like Vildechaye and mettaculture (not in the least pathetic in many ways). I think of this (it was used by Tolstoy in 'War and Peace,' Chapter XXVIII):

'Tout comprendre, c'est tout pardonner.'

'To understand all is to forgive all' [but not always.]

 

Sarah AB suggested during the dispute that Vildechaye's 'fucking cunting cunt-fucks would have been a nicely chiastic alternative' to the formulation in the original comment of mettaculture, 'fucking cunting fuck-cunts.'

 

Sarah AB is Sarah Annes Brown,  Professor of English at Anglia Ruskin University. Her real name was given at 'Harry's Place'' years before I mentioned it. (KBPlayer's article above the line, December 20, 2013.)

 

She has a blog, but there's a vast gulf between the blog's promise and fulfilment. The list of topics on the archive page is promising


 http://www.adjb.net/sab/archives.php?showall=1

 

but clicking on any of them leads to this error message, time after time:

 

500 - Internal server error.
There is a problem with the resource you are looking for, and it cannot be displayed.

 

There may be a simple explanation for these errors, but for the time being, the blog is almost unusable. Some of the  content isn't relevant to people in my circumstances. This, for example:

 

'06/29/07
It’s nearly holiday time so this is simply a (disinterested) plug for a UK hotel group, ’Luxury Family Hotels’, which is good (but quite expensive) if you have children.

'We discovered Luxury Family Hotels when our son (now 9) was a toddler. Further details of all their current properti ' (the blog gives no further information, but it can be stated, with a high degree of confidence, that  'properti' is short for  'properties.')

 

There's also this, on another aspect of Fine Living:

 

05/20/07
I went to Paris last week with Alex to continue our investigation of France’s grandes tables. Our last such outing was to the memorable Guy Savoy. This time we decided to try Alain Passard’s controversial L’Arpège.'

 

A normblog profile - a set of answers to questions - gives this as the answer to the question, 'What would your ideal holiday be?' 'A leisurely tour of French Relais et Chateaux hotels and/or Michelin-starred restaurants.' This answer, with other answers:

 

http://normblog.typepad.com/normblog/2009/09/the-normblog-profile-313-sarah-annes-brown.html

 

I do, though, have a strong interest in cooking, including French cooking, although only in the cooking which is vegetarian or can be adapted to a vegetarian diet. My collection includes a few books on French cooking: part of Michel Guérard's 'Cuisine Gourmande' (the systematic section 'The Principal Methods of Cooking' - I threw away the rest of the book to save space), Anne Willan's 'French Regional Cooking' and the two very thorough treatises, Volume I and II of 'Mastering the Art of French Cooking' by Simone Beck and Julia Child, which are often not just thorough but excessively thorough. Examples. On beating eggs during the making of the omelette: '30 to 40 vigorous strokes should be sufficient.' Practising the technique needed to make 'L' omelette Roulée by practising outdoors with half a cupful of dried beans. But when I do make an omelette, I follow consciously the general method of the book's directions for making 'L' Omelette Brouillée.'

 

The only posts given in full date from June - August, 2012. The blog seems to have been abandoned after that time. Clicking on the list at the bottom of the page to view  earlier pages leads to the error message.

 

I've come to some conclusions about Sarah AB but they're tentative and provisional, based on what I've been able to read of her blog, which isn't very much. Her life is a very pleasant one. I wouldn't say that it's lived under cloudless skies, but only because it seems to be an indoors life, in which agreeable academic conferences figure prominently.  (The Normblog profile gives in answer to the question 'What commonly enjoyed activities do you regard as a waste of time?' this: 'Country walks.') The academic conferences are nothing like the tedious, time-wasting exercises in futility which anti-academic generalizers mistakenly claim are the norm. In the main, they seem full of interest, for anyone with an interest in the field. Her comments are generally interesting too, but don't often go deep. Ovid, one of her cultural heroes, isn't an unexpected choice. This is a poet whose work I don't know well, although I translated sections of the 'Metamorphoses.' (The site includes one translation of a poem in Latin, not by Ovid but Horace - the translation of 'Carmina' 1, 34, after my discussion of Seamus Heaney's version, on the page Seamus Heaney: translations and versions.)

 

Chris Wurster on the superficiality he finds in Ovid's poetry:

 

http://www.columbia.edu/itc/lithum/gallo/wurster.html

 

From Teresa Ramsby's review of her book 'The Metamorphosis of Ovid: From Chaucer to Ted Hughes.' (Bryn Mawr Classical Review 2000.03.30):

 

' ... her treatment of the material is sophisticated and well informed by past and current scholarship. Brown displays a masterful understanding of the Ovidian canon and the importance of Ovid's influence on some of the West's most cherished literature. In addition, Brown's work makes the important contribution of effacing that boundary between the disciplines of Classics and English and Comparative Literature, so that we can hope for more works in the future that trace the influences and communications between the works of antiquity and those of modern times. I highly recommend The Metamorphosis of Ovid.'

 

In my page on Rilke and Kafka, I refer to the 'surface profundity' of Rilke. I think that Sarah AB's blog calls for another complex, such as 'intelligent semi-superficiality.' Her writings at 'Harry's Place' are available in greater quantity and share much the same qualities, I think. It's possible that I'd need to revise my view in some ways if I read the books she's written or edited, such as her book on Ovid and the one 'Tragedy in transition.'

 

She declares herself a feminist. One view not in need of possible need of {modification} is the view that her feminism is one of the familiar forms of academic feminism, not one which has made the effort to understand and appreciate the skills and the hard physical work of such people as miners, quarrymen, bricklayers, roofers. My page on feminism stresses among other things the material conditions of life.

 

The Disqus archive of mettaculture's  comments, which gives them all, leaves no room for doubt about one matter, I think - he's an intelligent man. I can't reconcile his better writing with the very poor comments he sometimes writes. The contradictions of mettaculture, like the contradictions of vildechaye and the others I criticize in this section, are very striking, instances of one of the central concerns of the site, referred to in the  Home Page, 'Linkage and contrast provide a powerful way of viewing human personality in its frequent mixture of strength and weakness and the often grotesque contradictions to be found in societies ... ' From my page Aphorisms: 'As for human nature, human strengths and weaknesses, be surprised by nothing.'

 

Just as I defend Amnesty International, despite its severe faults (quotations given below) and the Labour Party (even though I vote Conservative) despite its severe faults, I defend mettaculture and vildechaye despite their severe faults, and the others, whose faults are less serious, as I see it. I defend 'Harry's Place,' despite its faults. I oppose the reflex response, confusion of the part with the whole, rejection of the whole on account of the faultiness of a part (but sometimes, the faults in a part are good reason to reject the whole.) This tendency is common enough in 'Harry's Place' and very common in other places. This isn't to claim that people and organizations with serious faults emerge with reputation not affected in the least. Serious damage can't usually be concealed.

 

In all these instances, the question has to be asked, 'Do the faults outweigh the strengths or do the strengths outweigh the faults?' I discuss my use of outweighing in the page 'Ethics: theory and practice' (the middle column.) Outweighing has more general application, though.

The BBC is criticized on this page but the BBC is yet another organization not to be dismissed on account of its faults, such as its grossly biased coverage of Israel's 'Operation Protective Edge' against Gaza, and Israeli issues in general. The BBC is  deeply impressive as well as deeply flawed. To give just a few examples of its deeply impressive broadcasting: the programmes broadcast on Holocaust Memorial Day 2015 to mark the 70th anniversary of the liberation of Auschwitz-Birkenau.

 

There's not much about 'Harry's Place' which can be called deeply impressive, but the strengths just about outweigh  the glaring faults.

 

The comment of mettaculture that led to the conflict I discuss here, 'fucking cunting fuck-cunts' (applied to Amnesty International and other organizations, extremist or badly misguided) can be objected to for  various reasons. One is that it's the product of lazy-minded thinking. Coming out with a statement like that takes next to no thought.

 

At least I exert myself. I loathe bullfighting but instead of simply writing 'Fuck bullfighting' I've written close to 100,000 words on Bullfighting: arguments against and action against.  I loathe the bullfighter Alexander Fiske-Harrison but instead of writing 'Fuck Fiske-Harrison' and leaving it at that, I've given a detailed demolition of his views and actions. I loathe the writing of  A L Kennedy on bullfighting, whilst admiring some of her writing on other subjects. I've devoted an extensive page to appreciation of her as well as criticism.

 

I oppose feminism, particularly radical feminism, but instead of just saying 'Fuck feminism,' again, I've written close to 100,000 words on Feminist ideology. When I'm sarcastic, it's not as a substitute for analysis and I use sarcasm in a way which involves some inventiveness at least. I'd claim this for the material on Triona Kennedy at the top of the anti-feminist page.

 

When I'm ridiculed in 'Harry's Place,' I don't say, 'Fuck you, Harry's Place,' I write this critical piece, which doesn't include nearly enough appreciation for 'Harry's Place' but which includes some. I don't in the least claim that a long discussion is always necessary. Again and again, I've been impressed by short, sometimes very short, comments in 'Harry's Place,' including comments by people I criticize in this section. I wasn't in the least impressed by 'fucking cunting fucking-cunts.' This was a comment that needed to be longer, much longer, to do justice to the issues. A dismissal of Amnesty International should have been argued for, with evidence.

 

mettaculture mentions 'traffic' to this site as a possible motive for my comments on 'Harry's Place.' Google has been good to me, very good. The site has very high rankings for a large number of search terms. But people who write simply to achieve high rankings don't achieve them. I write about matters which interest me and of which I have knowledge. Rankings can take care of themselves.

 

My page on Israel, Islamism and Palestinian ideology, topics discussed at  'Harry's Place' also, but not the only topics, will never be able to compete with 'Harry's Place' for comprehensiveness, or in most other ways. In my page I've devoted a very great deal of space to profiles of academic and non-academic anti-Israel-pro-Palestinian people. This was to support my campaigning against these people. I've emailed almost all of them - but not  the Palestinian supporters murdered by Islamists.  I wanted to do what I could to deter future academic and non-academic action against Israel, such as boycotts. I knew that there would be next to no benefit for the site's rankings in Google. I expected only a few people to want to read my profile of Dick Pitt, emeritus, formerly of Sheffield Hallam University or the Sheffield Quaker Gordon Ferguson, for example, or any of the other profiles for that matter. Activism is that important to me. If I were going all out for higher rankings, I wouldn't have spent all that time doing the necessary research and writing the profiles. There are other sections on the page which are likely to benefit rankings for the site only slightly, ones concerned with local issues - the section on the Showroom cinema, Sheffield, and on the Sheffield Palestine Solidarity Campaign.

 

Nobody sets out with the ambition of achieving success in Google rankings by writing about line length in poetry. I certainly didn't. The very high rankings in Google for search terms to do with line length in poetry have been completely unexpected.

 

Instead of patiently adding content to his blog, mettaculture has chosen the easier way - posting comments on the high-profile site 'Harry's Place,' where his comments will be read by many, many people. I've chosen to patiently add content to my Website. When I wrote comments for 'Harry's Place,' far, far fewer than mettaculture's, it was for tactical reasons, such as arguing for changes to 'Harry's Place,' so that 'Harry's Place' became less of a talking shop (even if the pleasurable chatting is quite often high quality chatting),  less self-indulgent in the war of words.

 

I'm sure that mettaculture overlooks one very important fact. I didn't set out to achieve temporary prominence in 'Harry's Place.' I made a  point about a phrase but one thing led to another. Very quickly, there were more and more criticisms and accusations. I defended myself vigorously and called upon any evidence I thought would be useful at the time, which led to such unlikely exchanges as ones on sarcastic and humorous poetry.

 

Faced by comments like this one of 'Colin,' ' ... the depressing reality that PH is a dwarf of culture and intelligence' I stood up for myself, using evidence from different sources. Before all this, I'd commented at 'Harry's Place' only on a few occasions (I intend to comment in the future much more rarely - never, or practically never.) I commented many, many times during this dispute, but not for any reason to do with 'traffic to the site.'

 

If I'd conceded defeat at an early stage, none of this would have happened but I was determined to oppose the accusations and criticisms. Some of them were completely bizarre. To laugh them off or treat them lightly would have been wrong. If some people want to escape boredom or want to escape the difficulties of their lives for a short time by posting a childish comment on me I see no reason to humour them. If they want to have fun - or forget the realities of their lives - there are many other ways of going about it. I don't see any reason why it should be at my expense.

 

Some statistics. At the time of writing, Vildechaye has contributed 14,091 Disqus comments, mettaculture 5,581 and Lamia has contributed 7,728. All or almost all of these were posted at 'Harry's Place.'  I've contributed 120. It would have been far, far fewer if it hadn't been for this dispute.

 

Time to quote some more comments made during the dispute, from a wider range of commenters.

 

I'm tired of the laziness of some commenters at 'Harry's Place.' That's why I objected to this comment. Anton Deque to Guest, in a comment beginning with a quotation:

 

' "Anyway I am waffling."

 

No comment.'

 

PH to Anton Deque:

 

'You're obviously taking the easy way out. Are you that lazy? If you object to the statement 'Anyway I am waffling' in the comment of this guest, then at least take the trouble to explain why you find the statement (or the entire comment) not to your liking. Don't just write, 'No comment.' There are worse examples than this, but too many commentators on the Web seem to take the instant and effortless route to superiority (supposed superiority, that is): a few quick words are all that's needed.'

 

Colin to Jacob Arnon:

 

'Naughty, naughty word association. Obama says stop it.'

 

Jacob Arnon to Colin:

 

'Who is Obama?'

 

Which barely counts as facile.

 

amie to PH:

 

'Are you a FOE* by any chance? Your pearl clutching (as another commenter was wont to call it) prompts the question *(friend of another person who can't abide profanity.)'

 

PH to amie:

 

'A weird and pointless comment, to me anyway. What weird and pointless and time-wasting little games a few 'Harry's Place' regulars seem to enjoy so much. If you're trying to make a clumsy suggestion that I can't abide what you call 'profanity,' (an old-fashioned word) then you're badly mistaken. This poem of mine was published in 'Krax,' the magazine of humorous poetry ... ' [Followed by the poem and  discussion of the poem. It's published on this site too, in the section 'Humour and sarcasm' of the page Poems.]

 

Another weird and pointless comment.

 

Ludwig the Terrible to me:

 

'Silence, you mewling quim!

Hey, I enjoyed that :)'

 

Andrea Collins to me:

 

'Quim' obscure?'

 

Ludwig the Terrible to Andrea:

 

'He hasn't seen 'The Avengers,' obviously.'

 

I replied.  I was probably mistaken. Better not to have wasted my time.

 

PH to Andrea Collins:

 

'Sorry. Not a word we use here in Sheffield, South Yorkshire. Never heard of it before now.'

 

Edward Tring to me:

 

'Look in the mirror. You're one.

 

PH to Edward Tring:

 

'Your comment is facile and instantly forgettable, to me at least. Why do you bother?'

 

I didn't look up 'Quim' at the time. The 'Urban Dictionary' gives this:

 

'The noun quim was a Victorian-era word that was used specifically to refer to the fluids produced by the vagina, specifically during orgasm. In modern usage it is primarily heard in British slang and is a derogatory or vulgar term for the vagina itself.'

 

This is a comment on 'mewling quim' from the blog 'Britishisms:'

 

'It deals with a moment in the new film “The Avengers”–written by the Americans Joss Whedon and Zak Penn–when Loki addresses Black Widow with the two-word epithet that’s the title of this post. Loki hails from outer space (John informs me) but, perhaps significantly,  is played by a British actor. John writes:

 

'this is possibly the most offensive line in the film, beyond even Wolverine’s in X-Men: First Class. It is just that some people aren’t too familiar with the derivation. In more modern English, this would be “whining cunt”. In American English, “cunt” is generally used as a misogynistic insult, mostly used against women, insulting their very nature of being female. British English doesn’t use the female-specific aspect of this in an insult, which loses much of the mysogynistic tone. Indeed, it’s more likely to be used against a man, an exaggerated form of “wanker”. But “quim”, though rarely used, is done so in a misogynist fashion.'

A response from on 'Britishisms' by Mark Leavitt on 'mewling:'

 

Mewling comes down to us from Shakespeare’s monologue, “All the World’s a stage, ” in which appears the line: “Mewling and puking in his nurse’s arms.” It refers to the restless sounds a hungry or uncomfortable baby makes.'

 

This monologue of Jaques in 'As you like it' (Act II Scene VII) is familiar to me.

 

The response of JRock:

 

'“quim” is not as common as “cunt” in the US. It is as foreign as Mandarin to most. The only reason it passed censorship scrutiny is that no one knows what the hell it means stateside.'

 

The response of Rob:

 

'Quim seems such an archaic word to me. I honestly don’t think a lot of Brits would even know what it means. I’ve never heard anyone using it in any part of the UK ... '

 

Back to 'Harry's Place.' A futile interchange between two commenters. Colin to mettaculture:

 

'I have a suspicion that PH is figment of your imagination - invented by you to make you appear a towering giant of culture and intelligence.'

 

mettaculture to Colin:

 

'Now there was me thinking that PH is one of your sock puppets.'

 

mettaculture, now at his most high-minded, to colin. This is a moment to be treasured:

 

'I can truthfully swear that I have never created a sock puppet either as a foil or a promoter of myself.

 

'I have never created avatars for such a purpose.

 

'It is quite difficult enough dealing with the disconnected weirdness of so many e-avatars. I see no point in making them.

 

'No I have very old fashioned Socratic ideas of the importance of the unexamined life.

 

'I blog in order to meet those in the Agora who wish to discuss ideas.

 

'Thats it.'

 

The gulf between the ideal - 'The unexamined life is not worth living' - and the reality, at least in this part of the site - moronic and semi-moronic time-wasting - is immense.

 

Yet another weird and pointless comment.

 

Lamia to amie:

 

'Hahaha. It took me a little while, but I have just got it.

'Do you have a shrine to Laurie Penny in your bedroom, Paul?'

 

PH to Lamia:

 

'Ah, this is Lamia the humourist in action, rather than Lamia the scourge or Lamia the thinker!

 

'All I know about Laurie Penny is that she's a feminist. For my views on feminism (against) see my page on the subject 
www.linkagenet.com/themes/femi... '

 

I was wrong about one thing. This wasn't Lamia as humourist but Lamia as pathetic.

 

I looked up Laurie Penny later. She's the mind behind the blog 'Penny Red: every human heart is a revolutionary cell'

 

http://pennyred.blogspot.co.uk/

 

where she describes herself as 'feminist, socialist, utopian ... ' (not a description I find in the least bit endearing or attractive. I'm not just anti-feminist but anti-socialist and anti-utopian as well.')

Now she has a new, unimproved site

 

http://laurie-penny.com/

 

One of the articles on offer is 'Fifty shades of socialist feminism.'

 

I'm anti-socialist, but it depends what you mean by socialism. I detest smug socialism,  but not the socialism which worked so hard for fair treatment of workers during the very long period when working conditions were atrocious, intolerable, the socialism which took full account of many other realities. My anti-feminist page has a great deal on the men and women, boys and girls in the mines of this country. (I point out that after 1842, it was only men and boys who toiled underground - an inconvenient fact for feminists.)

David Thompson has a very good page on Ms Penny.

 

http://davidthompson.typepad.com/davidthompson/2011/01/the-penny-hasnt-dropped.html

 

He writes:

 

Writing for Red Pepper, Ms Penny tells us that, “capitalism is built on the docile bodies of women” and that women are reduced to “reproductive labourers whose physical and sexual autonomy is relentlessly policed.” The same article rails against “US state governments [that] compete to think up ever more cruel and unusual ways to punish women for sexual self-determination.” 

 

'It is, I think, fair to say that Laurie Penny enjoys railing against things, generally things that aren’t entirely obvious but which are framed as both terrible and somehow self-evident. A typical Laurie Penny article is long on assertion, short on facts and coherent argument, and invariably written in the highest possible gear. She rails against the Conservative Party (“hordes of drooling poshos”) and its “brutally intolerant moral agenda.” The details of this brutally intolerant agenda are, alas, somewhat vague. She rails against “the bruised superstructure of patriarchal capitalist control,” the particulars of which also remain unspecified and mysterious. She rails against a “heteronormative patriarchy that oppresses all of us.” (What, you didn’t know?) She rails against “brutal repression” by an impending police state that no-one else can see, and she rails against protestors “not being heard,” as if being heard must entail being agreed with and obeyed. Ours, she says, is a world “on fire.”

 

'When not railing against a heteronormative police state that’s brutal, intolerant and also on fire, Ms Penny likes to share with us an extensive menu of personal miseries, along with other aspects of her fascinating self:

 

'It’s getting harder to stay in touch with why I write and campaign in the first place. It’s getting harder to stay angry… That terrifies me more than anything... The centre-right have taken back my country… Across the pond, the American right are winning the fight for ideological control of the world's only superpower.' 

 

'Ah, an elected British government that’s insufficiently leftwing. The End Times are upon us.

 

'That’s what clinical depression does, you see. It takes away your anger, piece by piece... When terrible things happen - like a coalition government closing down your country piece by piece, slamming the door on the young, the poor, the sick, immigrants, women - you cease to really believe that anything can be done.'

...

'For Ms Penny, politics must always be declared in the most inflated and operatic terms. Proportion is a hindrance and realism is irrelevant, as are minor details like facts and causality. Among which, the relationship between a higher education bubble and egalitarian beliefs remarkably like her own. Thus, Laurie regards belated cuts in public spending – cuts that merely reduce the overall increase in spending  – as “the greatest assault on social democracy in living memory.” While 13 years of overspending and unsustainable state expansion under New Labour, a consequent structural debt measured in trillions and the buying of votes with other people’s money doesn’t count as an “assault” on anything. What matters – pretty much all that matters – is the drama, the role-play, the rhetorical rush. And in Laurie’s world everything is political, no matter how small, self-indulgent or contrived.

'Needless to say, the news is always grim:

 

'The planet is boiling; the rivers are drying up; the human race may very well be about to tear itself apart.'

 

One of Ms Penny’s readers asks,

 

'Why do you feel it important to be angry all the time?'

'While we wait for an answer, perhaps we should try reversing that sequence of ideas. After all, pretending to be angry makes some people feel important all the time.'

Back to my issues. One of the moderators of the site intervened, obviously not because she recognized that things were getting out of hand and to stop the site becoming a complete madhouse but to inject a little more madness. Her comment left me more mystified than ever.

 

Sarah AB to me:

 

'To explain, it is suspected (probably not seriously) that you are Michael Ezra, who is famous for hating swearing, voting for Ken, and liking Laurie Penny ... '

 

Famous? I'd never heard of him. If 'Ken' here is Ken Livingstone, then I'd never vote for him and I'm not in a position to vote for him, any more than for George Galloway. I haven't the patience to find out more about Michael Ezra. Finding out more about Laurie Penny was more than enough. This glimpse into a private world of fixations on Laurie Penny and other delusions was more than enough.

 

Sarah AB is generally a very 'sensible' writer, one of the many moderate writers at 'Harry's Place' (unfortunately, moderate and sensible writers often have very little insight into people very different from themselves.) Some people would accuse her of taking moderation to extremes. This is Sarah AB writing effectively (with mentions of mettaculture and vildechaye, as it happens - the piece has the title 'A response (or perhaps a metaresponse - to mettaculture):

 

http://hurryupharry.org/2012/11/25/a-response-or-perhaps-a-metaresponse-to-mettaculture/

 

The striking thing in Sarah AB's comment is 'probably not seriously.' If anybody takes the claim that I'm Michael Ezra seriously, this is almost as mad as the average conspiracy theory. Secularists - you too can be barking mad. What's that I hear coming from 'Harry's Place?'

 

A libertarian comments policy doesn't entail a complete lack of effective moderation. Moderation is about far more than censoring and deleting. Moderators can intervene and calm things down when they've got out of hand, moderators can address obnoxious behaviour without needing to act like nightclub bouncers and throw people out regularly.

 

Occasionally, moderators may need to get rid of people, just as a site may need to get rid of useless moderators.

Sarah AB should have got a grip before time-wasting and space-wasting digressions got out of hand - for instance the ones involving Laurie Penny, Michael Ezra, the mewling quin and PH as a dwarf of culture and intellect. All I did was respond and point out the ridiculousness of the points. A good moderator would have intervened to end the dispute. From time to time the Speaker of the House of Commons calls out 'Order! Order." Sarah AB is a poor moderator of the site and an often lacklustre contributor of articles above-the-line. There's a case for saying that Sarah AB should be sacked/fired/deprived of this outlet, except as a generally lacklustre commenter below-the-line/deprived of her sinecure/given every opportunity to spend more time with Ovid - obviously with thanks for her 'contributions to the site over the years.'

 

Sarah AB did intervene, eventually, but not in the least effectively.

 

Sarah AB to me:

 

' 'Any chance of a comment from one of the mods of this site on mettaculture's 'fucking cunting fuck-cunts?' ' It was a bit repetitive I guess.'

 

Sarah AB to KBPlayer:

 

'fucking cunting cunt-fucks would have been a nicely chiastic alternative.'

 

A comment on the rhetorical form chiasmus doesn't do justice to the objections to the original comment.

 

To give some background information on Lamia, another prolific commenter at 'Harry's Place' and for a time quite a prolific commenter on me. I'd previously had some exchanges with Lamia. I give some information on the page 'About this site,' in the section Torturing and executing. As I mention there, I only found out later that Lamia is female, not male. Nobody put me right at the time. This is another disadvantage of anonymity - for more on this, there's Website and blog comments: the veil of anonymity on this page.

 

Before disputing with me and whilst disputing with me, Lamia found the time to dispute with someone else. One comment, not directed at me:

 

'Go and get mental treatment ...'

 

And,

 

'Fuck off you insane troll.'

 

Someone thought Lamia was telling me to fuck off. She explained that she was telling a 'guest' on the site to fuck off. Later, Lamia explained that she never used the phrase at all:

'Fuck off, you insane troll' was posted by my eleven year old niece using my handle while I was out of the room.'

 

Anyone who has read a great many comments on 'Harry's Place' will have come upon 'Fuck off' or 'fucking' many times. It doesn't have the least shock value to come upon it again. This is language which has largely lost its vigorous or vital or visceral qualities. It doesn't take the least imagination or inventiveness to come up with it.

 

These are people  who have a genuine concern for Israel and a genuine opposition to Islamism, but, rightly or wrongly, I think that some of them are people who are self-indulgent. Spending time in the talking shop which is 'Harry's Place.' (it's also far more than a talking shop) posting comments of the childish kind is congenial to them.

 

I have a strenuous attitude to campaigning. Anyone who takes part in  counter-demonstrations, as I do (ones I've arranged myself) would get nowhere if they simply said to the opposition 'Fuck off!' Granted, people tend to have very different identities, but I regard using 'fuck off' or 'fucking' on a site like 'Harry's Place' as counter-productive. It can alienate visitors to the site who aren't prim and proper in the least but don't like the language or who see no need for the language on the site, who think that the language adds nothing and has no advantage.

 

When I saw this comment on 'Harry's Place' and posted a reply, it was the start of a process of recriminations directed at me which has fundamentally altered my attitude to the site. The comment was posted by mettaculture in reply to this comment of Barad:

 

'Apologies for pointless profanity but feck Begg, Cage, Amnesty and the Quakers. If there turns out to be a hell, I hope they all burn in it for a long, long time.'

 

mettaculture to Barad:

 

'Why apologize? profanity is not pointless in relation to these fucking cunting fuck-cunts.'

 

Barad's comment and mettaculture's comment are hopeless, classing  Amnesty International with the apologists for Islamist extremism Begg and Cage, all of them supposed to be 'fucking cunting fuck-cunts' or to burn in hell 'for a long, long time.'

 

An interchange in a later thread, 'Class conflict in IS?' after mention of the first Western woman to be killed fighting IS.

 

Barad to mirax:

 

'Contrast with the three "British" whores for ISIS who Sky, BBC et al are so convinced we all want back since they went "missing".'

 

Edward Tring to Barad: 

 

'Not sure 'whores' is the right word to use, as we have no proof that they are willingly having sex with murderers/perverts/scum for cash. What's the word for Muslim low life who shag other Muslim low life for free? Can we get Oxford University to adjudicate for its next dictionary? Is Islamosluts a neologism? '

 

Jurek Molnar to Barad:

 

 'I strongly recommend not to engage in such a language.

 

Jurek Molnar to Barad:

 

'  ... I can see no reason to call them "whores".
A derogatory term does not change the reality of their departure and their lunatic frame of mind.
To despise them does not mean to engage in language that is simply dehumanizing them. That is something we should avoid, in my humble opinion.'

 

As usual, it was left to commenters to do moderator's work. I've no sympathy for the three girls but Barad was wrong, very wrong, to describe them in the way he did.

 

Back to this thread. I replied to mettaculture:

 

'Any chance of a comment from one of the moderators of this site on mettaculture's 'fucking cunting fuck-cunts?' Does the site still have moderators? If they do exist, I only hope Vildechaye isn't one of them.'

 

The interchange that followed:

 

mettaculture to me:

 

'Oh of course you completely missed my cultural references! The phraseology that you are so scandelighted by is from 'Jerry Springer the Opera' ('with a reflexive nod to Trainspotting').

 

Such a shame that the level of contemporary cultural awareness is deteriorating due to the contaminating influence of Gilbert and Sullivan and those long running musicals at Cambridge Circus, absolutely dreadful middlebrow dreck.'

Not quite a defence of high culture rather than middlebrow culture, of course.

 

PH to mettaculture:

 

'Are you saying that my level of cultural awareness is poor, just because I don't know anything about 'Jerry Springer the Opera? A person's cultural awareness can't possibly be all-inclusive. My own cultural interests are in literature rather tha music (although I've never read Irvine Welsh's 'Trainspotting.') Even so, my musical interests are wide, including opera (particularly the operas of Mozart), chamber music and orchestral music. I've played in various string quartets and orchestras. None of the works I've played have been 'dreadful middlebrow dreck.'

 

mettaculture to me:

 

'Ah you want the profanity Police censors do you? I am sure that avoiding nasty words will make you feel very safe.

'As a gay man I no longer feel safe from Jihadi and their fucking apologists. My profanity is reserved for Jihadis and their apologists.

 

'But you prefer to condemn my use of words found in the Harraps dictionary of slang rather than the festering climate of anti-semitic and homophobic hate that is growing unchecked thanks to people like you.

 

'Congratulations for acting so prissily maiden auntish in hte [sic] face of hatred and incitement.

 

'Well done. God knows what goes on in your rotting brain but someone has 'to tell um that you aint got no cerebelum.'

PH to mettaculture:

 

'Obviously, just because words can be found in a dictionary doesn't mean that their use is a good idea in some circumstances. Calling someone 'a festering turd' or 'fucking scumbag isn't always a good idea, for instance ... '

 

And a further reply, PH to mettaculture:

 

''Don't be ridiculous. I'm not offended by what you call 'nasty words.' I've no interest in censoring at all. I just think language like that is counter-productive on this site. My view is pragmatic.'

 

'As for not having 'no cerebelum,' this should be 'no cerebrum,' the site of consciousness, and whilst I'm at it, 'cerebelum' has the spelling 'cerebellum.'

 

Vildechaye to Emma Elder on spelling:

 

'learn to spell, then learn to think.'

 

PH to mettaculture:

 

'Barad's equating Amnesty International and the Quakers with Begg and Cage is beneath contempt. I know all about Amnesty International's and the Quaker's bias against Israel and detest their bias but Barad (and obviously Met) don't seem able to grasp the point that organizations, like people, can be badly wrong about one thing or many things but still have strengths. Amnesty International's work is impressive in so many ways. Its bias against Israel is on the debit side but failures and weaknesses don't necessarily cancel strengths, leaving the person or organization with nothing to their credit at all.'

 

This is information about Amnesty International's Urgent Action Network, action for people in immediate danger.

 

This is just one Urgent Action case from the Amnesty International files:

 

'IRAN

'Arzhang Davoodi (m)


'Iranian prisoner of conscience Arzhang Davoodi, already in prison for nearly 11 years, has now been sentenced to death on a new charge of “enmity against God”, in relation to his peaceful political activism and writings.

 

'Iranian writer and poet Arzhang Davoodi learned from his lawyer on 20 July 2014 that he had been sentenced to death for his alleged membership and support of banned group People's Mojahedin Organization of Iran (PMOI). The sentence was imposed despite an apparent lack of evidence and after grossly unfair proceedings. He had been given less than an hour on 3 June to present his defence before a Revolutionary Court in the southern city of Bandar Abbas, which relayed it to a Revolutionary Court in Karaj, responsible for issuing the death sentence. Neither Arzhang Davoodi nor his lawyer were allowed to appear before the court which issued the verdict. 

 

'Arzhang Davoodi was arrested in 2003 and held in solitary confinement for prolonged periods during which he has said he was tortured and otherwise ill-treated and denied access to a lawyer and his family. He was sentenced, in March 2005, to 25 years’ imprisonment, reduced to 10 years on appeal, on charges of “spreading propaganda against the system” and “establishing and directing an organization opposed to the government” for his peaceful activities, including directing a cultural education centre. In May 2014, he was sentenced to an additional two years’ imprisonment, on the charge of “insulting the Supreme Leader” which is under consideration in an appeal court.

 

'Arzhang Davoodi is a prisoner of conscience, jailed, and now sentenced to death, for his political opinions and peaceful exercise of the right to freedom of expression. He has no links with the PMOI or any armed groups. He is believed to have been accused of having ties with the PMOI merely because in prison he insisted on calling PMOI by its official name, Mojahedin, rather than by the term used by the Iranian authorities, Monafeghin (hypocrites).

 

'Please write immediately in Persian, Arabic, English or your own language:

 

*Calling on the Iranian authorities to overturn Arzhang Davoodi’s death sentence;

* Calling on them to release Arzhang Davoodi immediately and unconditionally, as he is a prisoner of conscience, held solely for the peaceful exercise of his right to freedom of expression;

* Reminding them that under international law, the death penalty can be imposed only for “the most serious crimes”, interpreted as “intentional killing” and after proceedings that comply with the most rigorous internationally recognized standards for fair trial.

 

The page Urgent Actions Q&A,

http://www.amnesty.org.uk/sites/default/files/urgent_actions_q_and_a.pdf

 

gives good, sensible, realistic advice on specifics, far removed from the self-indulgent time-wasting of some 'Harry's Place' commenters. Reading the complete page is highly recommended. It includes interesting material on the disadvantages of emails for some Amnesty International work. The advantages of hand-written letters are mentioned. Harry's Place and other sites with similar objectives (not at all similar in some other ways, I'm glad to say): Amnesty International gives a superb model to imitate and use - Amnesty International's generally thorough, meticulous provision of background information as well as useful practical information for contacting people and organizations in positions of power, whether the power is enormous or comparatively small. (I make completely clear my opposition in general to one aspect of Amnesty's work, its work on Israel and Palestinian issues.)

 

I acknowledge some difficulties. When I was a member of Amnesty International, I produced a document on campaigning techniques and spoke in favour of a motion I'd formulated at an Amnesty International AGM, on campaigning techniques. I made the point that Amnesty International needed to scrutinize the campaigning techniques it used. Some were demonstrably ineffective. I pointed out that if Amnesty International had existed in the 1930's, it would have organized letter-writing to Dr Goebbels and other Nazis, along the lines, 'Dear Dr Goebbels, we are concerned about the imprisonment without charge of ... We regard him/her as a prisoner of conscience and call for his/her unconditional release.' But these Nazis were completely beyond persuasion. Amnesty International's distinctive methods are often very successful, but are sometimes unrealistic. What works in some circumstances may not work in others: hence the massive importance of military strength for this country and other democracies.

 

At the same AGM (held in Edinburgh) I spoke on human rights abuses in China and the need for Amnesty International to give greater priority to opposing these abuses. At a previous AGM, a motion I'd formulated on anti-personnel mines was presented, although I didn't speak on the motion (at the time, Amnesty International didn't have a policy on anti-personnel mines.) All these motions were passed overwhelmingly but I can't claim that they were implemented conscientiously.

 

How easily personal setbacks and difficulties which were important at the time can recede and become insignificant. I remember now that I almost didn't make it to the Edinburgh Amnesty International AGM. The vehicle I have now, a Citroen Berlingo white van, is the only one I've owned up to modern standards of reliability. I couldn't afford anything but cheap cars. The car I was driving to Edinburgh wasn't the least reliable - my first car was much, much worse - but it kept stopping and the fact that it kept stopping in the picturesque Yorkshire dales. was no consolation. I realized what was the cause - a blocked fuel filter - but I didn't have a replacement fuel filter with me. I ought to have called out the breakdown service but I didn't. (Until I bought the van, I tried to be as self-sufficient as possible in mechanical matters, including major mechanical work on the engine. Lacking a garage, I've had engine parts on the pavement in front of the house.) In the end, I made it to Edinburgh. When I broke down on the return journey back to Sheffield, I conceded defeat and got help. Now, I don't even change the engine oil and oil filter, not personally. I can't work on the carburettor, because there isn't one. Fuel injection systems, electronic engine management systems, are beyond my scope. Although struggling with corroded fixings, underneath the vehicle at the side of the road isn't beyond my scope, it's not something I do any longer. There are brute realities in other spheres of experience, as well as brutal realities.

 

Back to mettaculture - mettaculture to me:

 

'God that was banal drivel. I'd rather you don't refer to me at all but do as you wish. I can't imagine anyone does more than skims your reader's digest, digests. [sic]

 

'Of course my vulgarity got your attention and a fairly close reading and accurate quotation. Such is the way among those with easily scandelighted content free, poorly assembled, neural tissue.'

 

PH to mettaculture:

 

' ... skims your reader's digest, disgests' and 'Such is the way among those with easily scandelighted content free, poorly assembled, neural tissue.' But the first sentence of your second paragraph is just as bad. A reminder that Disqus allows comments to be edited - and improved - after they've been posted.

 

'It's easy to see that you're no perfectionist.'

 

After this piece was published, a comment of mettaculture's, one of the seven directed at me in quick succession, was genuinely genial - I'm thankful for that. It gave this information:

 

'Scandelighted ™ I'll have you know, is one of my very best personal neologisms ever.'

 

Another neologism, 'mettacultural.' I've got my own idea about the complex of characteristics which makes 'mettacultural' so distinctive, a blend of _, _ , _ and _ .

 

As for 'scandelighted,' it seems to mean the same as 'scandalized.' It doesn't add to the resources of English. The Emperor Joseph II said of Mozart's 'Marriage of Figaro' (he was misguided, I'm sure) 'too many notes.' To me, 'scandelighted' has too many syllables.

 

There were times when objections were made which had a lot to recommend them, such as this objection of Lamia, who can be a very effective writer. She begins by quoting some words I'd used:

 

'Barad's equating Amnesty International and the Quakers with Begg and Cage is beneath contempt.'

 

'Amnesty and Joseph Rowntree Charitable Trust chose, despite plenty of warnings, and plenty of available information, to link themselves with and fund an organisation [Cage] that they knew was only in favour of the 'human rights' of Islamists in prison, including convicted terrorists in British prisons who were not remotely suffering any deprivations, while at the same time being utterly opposed to human rights for anyone else. Amnesty threw principled people like Gita Saghal to the wolves ... '

 

PH to Lamia:

 

'No, he isn't logical and justified in his estimation. This is to blur the differences between an organization which is completely beyond hope, 'Cage,' an an organization which isn't completely beyond hope, not at all, despite its serious faults. Do you think that nobody should vote Labour in this country because far too many Labour MP's have revolting views on terrorism and Islamism? Does this negate the work of all the Labour MP's who don't share their views? Do the Labour Party's defective policies regarding Israel mean that all the Labour Party's policies are defective? (I vote Conservative, by the way.)'

 

Sarah AB to me:

 

'I agree that Amnesty is tainted, but still do good work. And I agree about the Labour Party.'

 

PH to Lamia:

 

'You say that you won't vote for the Labour Party 'until it has sorted itself out.' The Labour Party, like Amnesty International, has a history of achievement which can be respected, in fact admired, in many ways. Both the Labour Party and Amnesty International are badly in need of being 'sorted out' but this will take effort, action, commitment on the part of many people. The Labour Party and Amnesty International aren't unreformable basket-cases. This is a general comment, not directed at you, but involvement in the virtual world of Websites and blogs may often make people less likely to make an effort, less likely to take action outside the virtual world. Taking action may involve turning out on a cold, rainy evening to attend a meeting which is certain to be much less enjoyable than using the computer.'

 

PH to Lamia:

 

'I didn't say it [Harry's Place] was doing nothing. I said it could do much more - and it could. In the sphere of practical recommendations for action, practical guidance for action, practical information for action, this site is nowhere near as energetic as many anti-Israel, pro-Palestinian sites, I think.'

 

mettaculture to me:

 

'Well I am glad to hear that you have positive comments to make about this site. I am also genuinely glad to here of your personal involvement in campaigning.

 

'You do however seem to have a controlling need to wish to influence it according to your own preferences ... '

 

All I did was argue for some changes, not to the liking of some cliques at 'Harry's Place' whose members are happier just exchanging views with people similar to themselves, rather than reaching out to opponents, including people in positions of power, such as MP's, and others. Anti-Israel-pro-Palestinian people are often much more energetic, I think. But the changes I argue for and my point about cliques are separate matters.

 

If mettaculture prefers to keep 'Harry's Place' the way it is and is warning me to keep quiet, then this can be viewed as attempted control.

 

Jurek Molnar to Sarah AB:

 

'It is interesting, that Amnesty is often denounced as a far left organisation and at the same time considered as a Western imperialist Human Rights propaganda tool by others.

'Depends on who you ask, in the meantime they do good works in most of the areas they are operating.'

 

FormerCorr to PH:

 

'I might have said the same thing as you a few years ago, but sadly Amnesty isn't what it used to be.'

 

PH to FormerCorr:

 

'You're quite right that Amnesty isn't what it used to be - which is why I left after being an active member for twenty years - but it hasn't lost all its strengths. For Barad to suggest that Amnesty International deserves to burn in hell for a long, long time is deranged.

 

5_30 to PH:

 

'IMO, once they effectively joined as non-combatant wings of the war against Israel, both Amnesty International and *especially* the Quakers have lost their strength and betrayed their mission.'

 

PH to 5_30:

 

'Amnesty International betrayed their mission in one very important way, by their shameless bias against Israel. They haven't betrayed their mission in most other ways. Amnesty members around the world still send letters and emails in vast numbers to a very wide range of people - members of governments and many more - not just in well-known cases like the blogger Raif Badawi in Saudi Arabia but on behalf of unknown people in obscure countries.

 

'I only hope that many of the commenters on Harry's Place make a comparable effort and aren't content to just talk to the converted ... '

 

Amnesty International has now published a report on Palestinian conduct during Operation Protective Edge,

 

https://www.amnesty.org/en/articles/news/2015/03/palestinian-armed-groups-killed-civilians-on-both-sides-in-2014-gaza-conflict/

 

An extract:

 

'Palestinian armed groups, including the armed wing of Hamas, repeatedly launched unlawful attacks during the conflict killing and injuring civilians. In launching these attacks, they displayed a flagrant disregard for international humanitarian law and for the consequences of their violations on civilians in both Israel and the Gaza Strip,” said Philip Luther, Director of the Middle East and North Africa Programme at Amnesty International.

 

'All the rockets used by Palestinian armed groups are unguided projectiles which cannot be accurately aimed at specific targets and are inherently indiscriminate; using such weapons is prohibited under international law and their use constitutes a war crime. Mortars are also imprecise munitions and should never be used to attack military targets located in or near civilian areas.

 

' "Palestinian armed groups must end all direct attacks on civilians and indiscriminate attacks. They must also take all feasible precautions to protect civilians in the Gaza Strip from the effects of such attacks. This includes taking all possible measures to avoid locating fighters and arms within or near densely populated areas,” said Philip Luther,  Director of the Middle East and North Africa Programme at Amnesty International.

 

...

 

' ... 13 Palestinian civilians – 11 of them children – were killed when a projectile exploded next to a supermarket in the crowded al-Shati refugee camp in Gaza on 28 July 2014, the first day of Eid al-Fitr.

 

...


'Although Palestinians have claimed that the Israeli military was responsible for the attack, an independent munitions expert who examined the available evidence on behalf of Amnesty International concluded that the projectile used in the attack was a Palestinian rocket.

 

...

 

There are no bomb shelters or warning systems in place to protect civilians in Gaza.

 

'The report also details other violations of international humanitarian law by Palestinian armed groups during the conflict, such as storing rockets and other munitions in civilian buildings, including UN schools, and cases where Palestinian armed groups launched attacks or stored munitions very near locations where hundreds of displaced civilians were taking shelter.'

 

Back to the little local dispute. There was one person who was completely undeterred by the ridiculous sniping.

 

Guest to Lamia:

 

'It seems to me that Paul is being ganged up on and is being treated harshly. I can see that there are a few differences of opinion but they seem to be relatively minor things. You and Mettaculture normally have very good points to make but it seems today you both are being quite aggressive. Anyway I guess all these comments will vanish in 7 days time.'

 

Guest is wrong about only one thing. Many of the comments haven't vanished in 7 days. They're here.

 

Guest to me:

 

'I dislike playground bullies. I found this site a few weeks ago and I am getting to learn about it. Different people with different experiences with different self-interests with different emotions, comment on it.

 

'I am drawn to it because of its subject matter and overall point of view. Sometimes I am repelled by it - of individual comments of commenters ... '

 

Guest to me:

 

' ... You were right about Anton Deque and I was wrong. I give people the benefit of the doubt until I have sufficient reason to think otherwise. The comments is a bit like Hobbesian sociopathic barbarism. Many of the aggressive commentators appear to be internet veterans fighting their own wars - seeing people as enemies to be destroyed or allies or nobodies. It's exhausting with no 'winners' - just a polarisation of opinion. What an unbelievable palaver you were put through. Best wishes.'

 

Another dispute at 'Harry's Place'

 

Address of 'Harry's Place:' www.hurryupharry.org

 

More of the same, but not a re-run - a second dispute at 'Harry's Place,' this time in the thread 'Gender bias in STEM subjects and science fiction.' The article was written by one of the moderators, SarahAB. This time, she joined in the attack on me in the Comments section.  The commenter Vildechaye appears once more - he describes me as a 'fucking nutter' and a 'babbling psycho' - but not mettaculture. Another regular commenter,  KBPlayer, was prominent in this dispute but not the one before. She described me as 'barmy as a box of frogs' (SarahAB abandoned any pretence at moderators' detachment and upvoted the comment). She obviously liked the phrase so much that she used it, or something very like it,  three times in three comments, although without being specific or providing evidence. The commenter Kolya made multiple accusations against me, implicit or explicit -  accusations of harrassment, of 'purely destructive behaviour - a bit like revenge porn - without any mitigation,' and said that he would have banned me from the site. In the first dispute, I suggested that the phrase ''fucking cunting fuck-cunts' was unwise and unfair because it was applied to Amnesty International as well as Islamist extremists and blurred the all-important differences between them - not just because the language could alienate some people - and a torrent of abuse was released. I suggested that 'Harry's Place' was too much a talking shop. It could be playing a much more effective role in combating some abuses. In this second dispute, I made a contribution to the debate on gender issues and came under attack almost at once, because I was the person who had made some comments not to the liking of the cliques. At the top of the Home Page there's the proud and impressive slogan

 

Liberty, if it means anything, is the right to tell people what they don't want to hear.

 

Time for 'Harry's Place' to shed some of its pretence, time for 'Harry's Place' to remove this embarrassing little platitude.  So many 'Harry's Place' regulars want nothing but to carry on chatting. They don't want to hear anyone who takes the liberty of expressing contrary views. When they're allowed to exchange pleasantries amongst themselves, they seem very pleasant people. When they hear things they don't want to hear, they don't appreciate the exercise of liberty, they suddenly turn unpleasant, sometimes very unpleasant.

 

'Liberty, if it means anything ... ' is what I'd call a 'non-reflexive' slogan -  applicable to other people and organizations, but definitely not to 'Harry's Place' itself.

 

The dispute started with a comment of mine on gender issues.  I refer to it here. PH to SarahAB:

 

'I posted a comment. It could have been discussed, criticized - criticized severely - and that would have been it. If the etiquette of fair-minded debate had been followed, more or less, there would probably have been no wide-ranging dispute. But you, a moderator, couldn't resist making these disparaging and condescending remarks, almost certainly encouraging other people to join the attack. As I've made clear, if I'm attacked, I defend myself.

 

Yet again, the standard of moderation has been abysmal during this dispute. Moderation sometimes calls for intelligent, enlightened intervention. Moderation at 'Harry's Place' has to be one of the easiest jobs in the world. 'Do nothing' seems to be the guiding principle, if you can call it a principle, although you failed to follow the principle when you upvoted the comment on me, 'Barmy as a box of frogs.' In that case, doing nothing would definitely have been the wiser course of action. For someone who seems determined to give the impression of moderation and reasonableness, you can be surprisingly reckless on occasion.'

 

PH to Kolya:

 You wrote,

 

'Outing people's real-world identity merely because you disagree with their views is tantamount to harassment. Anybody choosing to play that game deserves to be banned.'

 

'I think outing people is truly vile. It can cause considerable distress and even wreck lives. It should result in automatic banning.'


'It's purely destructive behaviour – a bit like revenge porn – without any mitigation.'


'A sadistic power trip for the person doing the revealing.'

According to the Website of 'Public Interest Investigations,' a commenter with the pseudonym 'Morgoth' posted this comment at 'Harry's Place:'

 

'Is it me or is Foley turning into another Robert Fisk? Should we arrange for some Pashtuns to beat the shit out of him?'

 

If an individual gave the real name of 'Morgoth' would this be tantamount to harrassment, capable of causing Morgoth considerable distress and capable even of wrecking his life? Would this be a 'sadistic power trip for the person who revealed Morgoth's real name?

 

On this thread, Vildechaye has referred to me as a 'fucking nutter.' Some Vildechayan comments directed at other people:

 

'fuck off.'

 

'you can fuck off too.'

 

'you really enjoy talking out your arse, don't you?'

'actually you're just a bigoted asshole with a thin veneer of intellectual pomposity who cherrypicks sources -- on Youtube! -- and thinks he's being 
clever. uh uh.'

 

'yes we're all listening to the likes of you now, you lying sack of shit. Care to tell everyone where I wasn't brought up again.'

If I found out Vildechaye's real name and published it, would this be tantamount to harrassment, capable of causing Vildechaye considerable distress and capable even of wrecking his life?'

 

PH to Kolya:

 

'You completely neglect a very important topic - the distress caused by anonymous commenters at 'Harry's Place.' Their anonymity sometimes allows them to cause damage which would be far less likely if they wrote under their own names.'

 

PH to Kolya:


'KBPlayer wrote this about me,


'Oh that one. Barmy as a box of frogs.'


'The comment was upvoted by you, SarahAB and Suada. You and Suada have chosen to keep your comments on Disqus private. You value your privacy and whatever accusations you make, your privacy won't be disturbed. I write under my real name. I don't see any reason why people who make accusations shouldn't have their comfortable privacy interrupted. I sent an email to SarahAB which 
contained this,


'I wouldn’t claim that moderation during the recent dispute marked a new low in moderation at Harry’s Place because the standard was very low already, but your endorsement of the comment ‘ mad as a box of frogs’ was a bad mistake. Moderators can be partisan, when they comment themselves, they’re entitled to give a view and to defend a view, but upvoting that facile comment is very different. 
Greater detachment can be expected of a moderator. (I regard upvoting in general as futile and not useful. Gene has pointed out how easily the figures can be manipulated.) If a Professor of English gets up to these childish antics, I don’t see why I should be reticent.'

 

[I've cited some recent Google rankings for the site as a quick and convenient way of providing evidence that some people might like to take into account when they've been outspoken in their criticisms of my alleged limitations. Without any shame, I do that yet again. There's a list of recent Google rankings at

 www.linkagenet.com/about.htm#advertisements

 

'Of course, I've yet to receive from anyone who has made outspoken criticisms anything so commonplace  as an actual defence of their instant dismissals. These people seem to regard their own immense superiority to such poor misguided plodders as me as beyond dispute.]

 

'Do you have any comment to make on this? Do you seriously maintain that giving SarahAB's real name is a bit like revenge porn, without any mitigation? If so, then I regard your view as very disturbing.'

 

KBPlayer gave SarahAB's real name, Sarah Brown, years before, in an article. I knew that this wasn't the Sarah Brown who was the wife of the Labour politician Gordon Brown.


In my email to SarahAB I also wrote this,


'I’m not conducting a vendetta against Harry’s Place. Material about ‘Harry’s Place’ occupies a completely peripheral and a very minor role in the site.'

 

If you look up the home page of my site,

 

www.linkagenet.com

you'll find abundant evidence that this is so. There's a list of topics, very, very varied - which 
include gardening - and if you look at a selection of pages and find abundant evidence that I'm 'barmy as a box of frogs' then feel free to email me, with the evidence. If you value your  self-respect, and I'm sure you do, and obviously I could 
mention other people too, then the time has come to put some effort into defending your remarks.

 

KBPlayer wrote, 'A serious academic who I do respect but who had had run ins with HP was tweeting Culture Industry as proof of our badness.'

 

That same academic has written, in connection with Morgoth's comment, 'Morgoth calls for Conor Foley to be beaten up, and Conor’s wife is reduced to tears reading his comment. HP actually has the cheek to complain that Conor is unreasonable for being upset about this. Of course, your anger is never directed at any one of your revolting, anonymous little groupies, but only at the people who have the temerity to complain about their behaviour.' 'Revolting, anonymous little groupies' isn't my description. I give my own views on the 'Culture Industry' page.

 

This marks the end of my comment, published at 'Harry's Place' a short time before the disappearance of all the comments from public view. Some additional remarks:

 

Kolya advocated my banning from 'Harry's Place' and dmra upvoted his promotion of banning. A question: who has the power to ban people from 'Harry's Place?' Would one of them be the moderator SarahAB. She's a Latinist, so she'd understand the significance of a quotation not seen nearly as often now as it used to be: 'Quis costodiet ipsos custodes.' (Juvenal, Satires, Satire VI, lines 347–8.)

 

I don't mind if people criticize me or my views severely, provided there's the attempt to provide evidence. In that case, I'd see no need at all to divulge their real name, if I know it. If they want to engage in smearing and insult, then they shouldn't be surprised if I show much less goodwill.

 

Dispute No. 1, documented at much greater length in the section above, 'Nasty, brutish and short ... ' gave plenty of evidence that I can defend myself very vigorously. If some people decided to try it on this time, then they shouldn't be surprised at the result. I contributed a comment on gender bias to the thread, and very quickly, SarahAB came out with this:

 

'Oh god, that one - I'd forgotten that was him.

[I realize, I've quite accidentally echoed KB there - hadn't seen her comment at first!]'

 

Anyone who doesn't know anything about SarahAB and KBPlayer apart from what they've read at 'Harry's Place,' then they might come to the conclusion that SarahAB and KBPlayer just happen to agree about me. If they know that Sarah AB has a blog and Rosie Bell (aka 'KBPlayer') also has a blog and Sarah AB obviously likes the blog of KBPlayer - she gives a link to it on her own blog - and KBPlayer obviously likes the blog of Sarah AB - she gives a link to it on her blog - then this could be described as interesting background knowledge - I don't claim that it explains why Sarah AB upvoted KBPlayer's description of me as 'Barmy as a box of frogs.'

 

I've not the least compunction about giving the information that Sarah AB is Sarah Annes Brown, Professor of English at Anglia Ruskin University and KBPlayer's real name is 'Rosie Bell,' and that Professor Brown's blog is 'Ariachne's Broken Woof' and that Rosie Bell has a blog which is simply entitled 'Rosie Bell' (and a very good blog it is too - it's one I appreciate very much.)

 

I see every reason to give their real names. My good will isn't inexhaustible. But there are other reasons. Harry's Place gave the real name of KBPlayer years ago. In the article 'Syrian Bookshop Window,' (November 20, 2010) http://hurryupharry.org/2010/11/20/syrian-bookshop-window/ Gene wrote, 'Rosie Bell (who comments here as KB Player) recently  visited Syria, where she took this photo of a bookshop window in Aleppo.' (Followed by the photo.)

 

KBPlayer to Vildechaye on the prospect of having her real name given by me and other matters:

 

'My disguise is fairly thin so I'm not too bothered.

 

...

 

Barmy. Box. Frogs.'

 

PH to KBPlayer:

 

'What on earth are you talking about, 'My disguise is fairly thin so I'm not too bothered?' You write as if my giving of your real name, the identity of KBPlayer, is a completely new development. Not in the least. From the page-which-you-won't-be-looking-at,

'Harry's Place gave the real name of KBPlayer years ago. In the article 'Syrian Bookshop Window,'
(November 20, 2010)

http://hurryupharry.org/2010/1.

 

Gene wrote, 'Rosie Bell (who comments here as KB Player) recently visited Syria, where she took this photo of a bookshop window in Aleppo.' (Followed by the photo.)'

You also write,

Barmy. Box. Frogs.
Barmy. Box. Frogs.
Barmy. Box. Frogs.

 

You seem to like the sound of the phrase. You've given it in three different comments/replies. I propose a new meaning for 'groovy:'

 

'Groovy (pejorative): like these comments of KBPlayer, with the repetitiveness of a record stuck in a groove.'

If you feel the need to post comments directed at me again, be sure you don't forget the comical/risible

 

Barmy. Box. Frogs.
Barmy. Box. Frogs.
Barmy. Box. Frogs.'

 

PH to KBPlayer:

 

You share your thoughts with Vildechaye. Sorry to introduce a discordant note in this communing of minds. An extract from the page-you'd-rather-not-read:

 

'On this thread, Vildechaye has referred to me as a 'fucking nutter.' Some thoughtful Vildechayan comments directed at other people:

'fuck off.'

'you can fuck off too.'

'you really enjoy talking out your arse, don't you?'

'actually you're just a bigoted asshole with a thin veneer of
intellectual pomposity who cherrypicks sources -- on Youtube! -- and thinks he's being clever. uh uh.'

'yes we're all listening to the likes of you now, you lying sack of shit. Care to tell everyone where I wasn't brought up again.'

 

In an email to Sarah AB, I wrote, in connection with the giving of her real name,


'This information is in the public domain. If it can be obtained with the greatest of ease – putting Sarah AB into google gives ready access to your blog, which contains all this information – then I regard its publication as completely legitimate. I’ve only removed the information about mettaculture because there seem to be special circumstances in his case.' I explained in detail the nature of these 'special circumstances' in the same email.

The information about mettaculture's real name which remained on the site for a time. It was completely legitimate to provide this information too. In a reply to Vildechaye, I wrote, 'mettaculture has a blog which gives his real name. He writes, 'My blogging name is mettaculture my actual name is [I withhold the information here] I post almost exclusively at Harry's Place.' He seems to find no problem in divulging his real name.'

 

Kolya responded to the information that I'd posted in the comment above:

 

 'I stand by what I said. To help you with the drafting of your Bill of Attainder against me, let me recap:

'Outing a person's real-world identity, purely because you disagree with them, is like posting revenge porn. Both forms of offensive behaviour involve the disclosure of private information for the sole purpose of injuring or coercing the victim.

'The egregiousness of this kind of conduct varies with the circumstances, but in the absence of an objectively legitimate public interest justification, it is always morally abhorrent. People who indulge in such exploitative behaviour deserve to be shunned.

—Kolya Wolf, 24 April 2015

'You have my permission to quote the above statement, under my real name.'

 

I do quote it - but I would have been entitled to quote it  without his permission.

 

I made it completely clear that I haven't given the information purely because I disagree with these people in the least. As for the recommendation to shun me, this is surely relevant:

 

Ethical matters are central to this site. The current Google ranking for the site is 1 / 79,500,000 for the search term ethical depth. For decades, I've spent enormous amounts of time on issues to do with animal or human suffering - as Kolya Wolf will find if he takes the trouble to look at the pages of the site which deal with ethical matters. I've worked hard on issues as varied as factory farming, the fur trade, bullfighting, the welfare of circus animals, including the elderly elephant with arthritis, Annie (at one demonstration, a circus worker said that he'd break every bone in my body), the death penalty and many other human rights issues - but I don't endorse all uses of the term 'human rights' - anti-personnel mines, and other issues, including defending Israel against its detractors. I've written outspokenly on many other issues to do with animal or human suffering, including slavery. (The alphabetical list of topics on the right hand side of the Home Page gives ready access to all the pages which deal with these topics.) I don't have contempt for all Kolya Wolf's views, far from it, but I've complete contempt for some of them - or I think that some of them are completely unworthy of him.

 

Vildechaye replied to me as well. He wrote,

 

'I refer you too [sic] your local nuthouse.'

 

Reflections on Harry's Place

 

'We perceived that we were not splendid inhabitants of a splendid world ... ' (George Orwell, writing in 'Down and Out in Paris and London,' Chapter Seventee.)

 

George Orwell was writing about a realization that came to him well past midnight after a Saturday night of drunken carousing in a Paris bistro. Some of the carousing commenters at 'Harry's Place' (obviously - or presumably - not drunk at all, elated by the outpouring of their opinions, not the outpouring of drink) seem not to have come to this realization:  the realization that their opinions may not be gloriously significant. The splendid world of 'Harry's Place' seems not so splendid on closer examination.

 

In the sections, Nasty, brutish and short: some 'Harry's Place' comments and Another dispute at 'Harry's Place' I've concentrate attention on the malicious and deeply unpleasant (or shallowly unpleasant) tendencies of some 'Harry's Place' regulars - only a minority of the regular contributors and all contributors - and the feeble (or non-existent) moderation of one of the moderators, SarahAB. But there's much more to criticize at 'Harry's Place.' The vigour and vitality of so many of the commenters are sometimes impressive but sometimes amount to very little. The dialogue of soap operas has just as much vigour and vitality - the appearance but not the substance. 'Harry's Place' is incomparably stronger in its presentation of some issues, such as Israel and Islamism, much, much weaker in its presentation of other issues. The list is long, but includes feminism, gender issues and the death penalty. Although many articles on the site are impressive, many are anything but, and even in the case of the impressive articles, there are many, many articles on Websites and blogs, in printed magazines, journals and books which are far more impressive. 'Harry's Place' is a very prominent site but its prominence is partly earned, partly unearned.

 

The Stanford Encyclopedia of Philosophy has a good article on relativism, which begins

'Relativism is not a single doctrine but a family of views whose common theme is that some central aspect of experience, thought, evaluation, or even reality is somehow relative to something else. For example standards of justification, moral principles or truth are sometimes said to be relative to language, culture, or biological makeup.'

 

http://plato.stanford.edu/entries/relativism/

 

Many applications of the concept are deeply misguided, but not this one: even when 'Harry's Place' is poor, it may well be far, far better than many other sources of information and comment. In the value-sphere, there are many, many levels, from highest to lowest.

These are the main weaknesses of Harry's Place, I think, including characteristics which aren't so much weaknesses as consequences of having one identity rather than another, with the inevitable consequences. It's impossible to do many things equally well, to be many things. In no particular order - except that I view the first objection as the most important. For the time being, the discussion isn't in the least detailed, except for the first objection.

 

Harry's Place is too much of a talking shop. It could do  more to encourage activism.

 

To confine attention to pro-Israel-anti-Islamist issues, which are obviously important to 'Harry's Place' (as they are to me), I don't expect every pro-Israel-anti-Islamist site to include much on practical campaigning - or anything on practical campaigning. Sites which are scholarly or semi-scholarly, for example, may want to devote their complete attention to meticulous examination of the evidence and fair-minded drawing of conclusions from the evidence. But 'Harry's Place' is the kind of place where I'd expect far more emphasis on practical campaigning, without neglecting its role as a place for exchange of opinions, which will always be central and most important.

 

Some comments I've written in previous threads about the subject. I don't include one which gave detailed practical information about contacting MP's, other politicians and other people and organizations, in answer to a request by Colin.

 

1. Marc's article, 'Where's the partner for peace?' and this follow-up article have resulted in a huge volume of vigorous, very impressive comment. His view and opposing views haven't gone their separate ways. They've come together and clashed. I'm in no doubt that Marc has comprehensively lost the argument. The gaps and the deficiencies in his argument have been revealed.

 

In the wider world, more often than not, this isn't what happens at all. So, the members of the Palestine Solidarity Campaign are left to carry on slogan-shouting, to repeat their 'one word arguments' - 'apartheid,' 'genocide,' 'occupation,' 'blockade' - and arguments which aren't much more highly developed. The vigorous debate in 'Harry's Place' doesn't reach most of them. They don't read it and they never hear about it. When 'Fathom Journal' publishes a meticulous article by David Stone

 

http://fathomjournal.org/wp-co...

 

making clear the benefits to Palestinian health of Israeli policies, it doesn't cause acute embarrassment to anti-Israel-pro-Palestinian people. How will we respond? What counter-arguments do we have? They simply ignore the arguments and evidence, if they hear about them at all.

 

'Harry's Place' could contact anti-Israel-pro-Palestinian organizations and people and offer them a guest post. (It would be useful if the comments sections for these two articles were retained and not allowed to disappear, as a sample of the kind of comment which can be expected.) A public record could be kept of the organizations and people contacted and their response, if any. If there were many, many refusals, then this would justify a direct challenge. What are you afraid of? Marc has never been afraid to put his views forward and to defend his views (but not at all effectively.) At least his fearlessness reflects great credit on him. Somehow, I don't think that Palestine Solidarity Campaign supporters and similar people would show anything like the same courage for the most part. If so, use their timidity and evasion against them and do everything possible to publicize their timidity and evasion. If their case is so strong, why refuse the chance to promote it in a guest post and defend it in the comments section?

 

2. To Epidermoid:

 

You write, 'the correct remedy for a sick society is to cut it off from self-indulgence. Write letters telling it how stupid it is and how it only has itself to blame ...'

 

I agree completely, and I've just emailed Rabiha Diab, the Palestinian Minister of Women's Affairs, telling her to stop making feeble excuses. According to a report published by the Palestinian Ministry of Women's Affairs, the rate of honour killings increased by 100% in 2013. Rabiha Diab tried to claim that Israel was largely to blame: the 'Israeli occupation' is 'the main thing keeping us from advancing' she said.

 

3. Tokyo Nambu's comment 'If the Labour Party weren't anti-Semitic scum ... ' is a grossly misguided generalization. Its ignorance is extreme. It ignores the Labour MP's who openly support Israel, many, but not all, members of the group 'Labour Friends of Israel.' It may have far less members than 'Conservative Friends of Israel' (it's a heartening fact that 80% of Conservative MP's belong to this group) but these MP's don't in the least deserve to be included in Tokyo Nambu's lazy-minded dismissal.

 

I think it's likely that supporters of the Palestine Solidarity Campaign are far more active in lobbying MP's than British supporters of Israel. I see it as essential to write to MP's, the ones who denounce Israel and the ones who support Israel - to write to a wide range of people and organizations - to express support for the supporters of Israel and to challenge the views of Israel's opponents.

 

I recently wrote to a Sheffield Labour MP who used to be the vice-chair of Labour Friends of Israel, thanking her for her support for Israel, and to Dick Pitt, an academic who's a member of Sheffield Palestine Solidarity Campaign (he has an abysmal blog on the Campaign's Website.)

 

Dick Pitt regularly writes to this MP. He gives her stern advice, such as this: 'If you want to know about oppression - don't ask the opressor [sic].' The 'opressor' is, of course, as always, Israel. The persistence and stamina of these opponents of Israel are remarkable. They never seem to tire of accusing Israel and denouncing Israel, they never tire of using the same distortions, falsifications and evasions. The catalogue of Israel's alleged crimes is longer, much, much longer, than Leporello's list of Don Giovanni's women. Surely MP's (or many of them) deserve to be paid far more, given that they have to put up with people like this.

 

...

 

'Harry's place' is a very absorbing and important site. [I now think it's less absorbing and less important.] It offers a wealth of interesting articles and comments (not including Tokyo Nambu's comment, of course.) These are part of 'internal' pro-Israeli activity. I hope that your contributors who haven't so far engaged in much 'external' pro-Israeli activity, which includes, in Britain, writing to MP's, will consider the advantages of doing so. It could hardly be easier, in one way. A list of email addresses is easy to compile and to use, but I think it's essential not to send emails in a routine way. I'd stress the importance of background knowledge.

 

Whenever I engage in this 'external' activity, I tend to stress one set of arguments, in my experience more likely to have an effect than any other. The arguments are more likely to undermine the irrational belief that Palestinian society is intrinsically virtuous or vastly superior to Israeli society. I make use of these findings:

 

4. To Epidermoid:

 

If we are to have a war of words we must use our ammunition and by and large we don't' Excellent! Very well expressed.

If people so often don't use their ammunition, sometimes they do but waste it. Perhaps there's an analogy with those excitable people in some parts of the Middle East who fire shots into the air when they're happy about something or other. Battle should be about engagement with an opposition. [Sharing comments on 'Harry's Place' is enjoyable - but not always - and useful - but not always - but can never replace engagement with an opposition.]  Having good arguments isn't enough. It's also necessary to give thought to the most effective use of these arguments.

 

The language used at 'Harry's Place' is sometimes counter-productive

 

This objection is discussed in detail above. There are also objections which don't relate to its counter-productive tendency, to do with the health of language in general.

 

Intolerance at Harry's Place

 

People who seem friendly and relaxed can change abruptly when they come upon dissent, even very mild dissent, when they are communicating not with like-minded people but with people they see as 'The Other.' Some of the commenters at 'Harry's Place' are like that.

 

The comments section at 'Harry's Place' is often bloated

 

Too often, there are too many perfunctory comments, which add to the excessive bulk of the comments sections in many threads. Reading, or even skimming, these sections takes too long. There are many people who don't regret that in the least. They seem to like nothing better. But it's likely to discourage many others.

 

Harry's place deserves its prominence but its prominence is probably at the expense of other very deserving sites.

 

I don't include my own site in the list of 'very deserving sites.' I've made it clear that for the topics discussed on my page 'Israel, Islamist terrorism and Palestinian ideology,' the page can't possibly compete with 'Harry's Place' and other specialist sites. My page is far less comprehensive.

 

My list of links on the page 'Israel ... ' is far from comprehensive and omits many very good sites, but it

 

Harry's Place is a tabloid

 

This is less a defect of 'Harry's Place,' more a plea for supplementing it, and similar sites, with sources of information and discussions which are more detailed, including scholarly and semi-scholarly accounts. Quite often, articles or commenters do recommend discussions which are more detailed than most of the material on the site, although some commenters do excel in writing more detailed analyses. The tendency is, though, to give  short, sometimes very short, treatments an the expense of thoroughness. This can be viewed as a perfectly legitimate consequence of its identity.

 

Outgrowing 'Harry's Place,' or recognizing the advantages of different, more thorough sites and sources of information, including books, is an objective which I think has advantages.

 

Sometimes, a tabloid source may be better informed than a more thorough source. 'The Daily Mail' is often very well informed, better informed for some issues than 'The Guardian,' better informed for some issues than academic treatments with footnotes and bibliographies. There's no mechanical way of assessing these issues.

 

Coverage of the central themes, such as Israel, Islamism and Palestinian issues, is generally good. Coverage of other issues may be poor.

 

Harry's Place covers a wide range of other issues, but the treatment is often poor, or markedly lower. To give only a few examples, the death penalty and the arts. The death penalty and the arts aren't amongst the central themes of 'Harry's Place.' There's often an unrealistic expectation that an organization which does some things very well does everything very well, whenever it discusses them.

 

Harry's Place includes too many clear-cut mistakes of thinking.

 

These include mistaking the part for the whole, or condemning the whole on account of faults in a part. Some instances are documented in this section, such as criticism of Amnesty International and the Labour Party. A further example: 'Harry's Place' occasionally gives credit to 'The Guardian' but only for certain matters, such as unexpectedly pro-Israel statements published in 'The Guardian.' I see 'The Guardian as a very strong newspaper for a wide range of issues - but not, in general, its coverage of Israel or a range of other political issues. But its coverage of many  political issues is often excellent.

 

Losing interest in 'Harry's Place'

 

I still look at 'Harry's Place,' but not often. I'd gain by looking at some of the articles and comments published there, but to find them requires wading through masses of perfunctory material, as well as dross. It's better to give my time to sources which are less adulterated, more consistently rewarding, as well as giving some time to sources which are nothing but dross. Ignoring or evading ridiculous, malign, completely superficial, grossly distorted material would be a bad mistake.

 

 I began to write the section Another dispute at 'Harry's Place' and then turned to other matters. One of them was the disruption by anti-Israel protesters of the Jerusalem Quartet's concert at the Queen Elizabeth Hall, which began during the Quartet's performance of the second movement of Mozart's Quartet K. 387. I found out about the disruption from the Boulezian blog, one I admire very much, for his comments on music, not, in general, his occasional comments on politics. The political views of Vildechaye, Sarah AB, KBPlayer and Kolya are much closer to mine than Boulezian's at least where issues to do with Israel and the Palestinians are concerned.

I posted this comment on Boulezian's blog:

 

'After I began learning the cello, a long time ago, one of the first quartets I played in was this Mozart Quartet K. 387 My playing was poor and stumbling, like my playing in the Linz Symphony, one of the first orchestral pieces I attempted, but rewarded by an experience of beauty, profundity, elation, vigour which seemed to put the experience of a work in time outside time.

'I regard the disruption of the Jerusalem Quartet's performance as contemptible. Protestors who tried to make a political point by daubing anti-Israel slogans on a beautiful building would be engaging in a similar act of desecration, and one just as futile.

'After the disruption of the Israel Philharmonic Orchestra's Proms concert in 2011, I opposed the action in very varied ways, contacting many people in the boycotting business. I learned a lot about them. This is one of the disrupters, Deborah Fink, member of the group 'Beethovians [sic] for Boycotting Israel.' She claims to be a soprano and teacher of singing but it seems she's also able to teach screaming, screeching and shrieking, on the evidence of these recordings. Here is Deborah Fink singing 'Happy birthday to you, I'm ashamed I'm a jew:'

https://www.youtube.com/watch?v=OknjF8YQwh0

'This is Deborah Fink after being ejected from the Sadler's Wells theatre for disrupting a performance:

https://www.youtube.com/watch?v=QEIg3v6pxeQ

'It would be impossible to explain in the space available here why I regard the demonization of Israel as wrong. I've written extensively on the subject. I'll simply give a link to a couple of other Youtube videos which I think are revealing:

https://www.youtube.com/watch?v=aq9EkBZ6LmA

https://www.youtube.com/watch?v=ay3ztL9wFq8 '

 

I didn't give a link to my extensive writing in opposition to boycotts and disruption, but the section  'Heckling the boycotters,' on disruption of the Proms concert and attempts to boycott Israel, is at

www.linkagenet.com/themes/israel.htm#heckling5

 

My playing, such as it is, hasn't followed a straightforward course. I eventually changed from the cello to the violin and viola and I used to practise very conscientiously, often for three or more hours a day, but I don't play any longer. I couldn't possibly justify three or more hours a day practice time, given the time needed for this site, to mention only one use for my time. And playing an instrument isn't one of the things I can do best, or very well. At least I'm still a listener, even if I can't spend very long listening.

 

Obviously, 'Harry's Place' has nothing to contribute to the discussion of string quartet playing or string quartet composition. The site can't be blamed. It can't do everything (but there seems to be a delusion that it's scope is far greater than it is.) Bit I also think that 'Harry's Place' has nothing much to contribute to a matter which is very important to me - how to deter and prevent future disruptions. I tried to put the case for greater activism, greater practical involvement, and got practically nowhere.

 

Another issue that preoccupied me so much at the same time: the plight of the Bali nine. Since that time, eight of them have been executed, of course. My page on the death penalty gives my reasons for opposing the death penalty. 'Harry's Place' has hardly ever taken account of the death penalty. The fact that Israel has practically never executed in the history of the modern state impresses me, but the readership of the site, so far as I can judge, is absolutely indifferent. One regular contributor, Lamia, has advocated executions and torturing some people to death.

 

'Harry's Place' doesn't alienate me for one reason in particular - and certainly not for the attacks on me - but for a number of reasons, and this is one of many.

 

At this same time, there was an atrocious example of large-scale suffering, the aftermath of the earthquake in Nepal. 'The Times of India' amongst other sources has drawn attention to the scope of the disaster in the piece 'Cut off from all sides, villagers at quake epicentre face slow death,'

 

 http://timesofindia.indiatimes.com/world/south-asia/Cut-off-from-all-sides-villagers-at-quake-epicentre-face-slow-death/articleshow/47102520.cms

 

'GURKHA/BARPAK: Villagers are dying a slow death in many parts of Barpak and Gurkha regions — the quake's epicenter — which are completely cut off. Quake-induced landslides have wiped out long stretches of roads and most villages have no space to land choppers.


...

In these villages, there is no rescue, only relief effort. Indian Air Force choppers hover over the villages, dropping food, tents and blankets as rescue work is impossible without helipads or roads.

On Wednesday an IAF chopper made sorties over a village in Barpak— its 100-odd houses completely flattened by the quake. Several attempts were made to land as villagers looked up in desperate expectation, but the chopper simply could not land. It finally just dropped supplies and flew off.

...

"We don't even know how many are dead in the village or how many are severely injured. Some may still be trapped under the rubble but, perhaps, alive. But we are in no position to save them. They'll die waiting for help. It's one of the saddest feelings when a rescue worker can't go through," Nepal Army Captain Naresh Khadka, who is guiding the IAF rescue operation in Barpak, said.'

 

But in general, helicopters have been able to operate, as have the other methods of relief, including heavy lifting equipment and lorries carrying aid, if not on anything like the scale needed.

 

The second dispute at 'Harry's Place' was in the comments section which followed SarahAB's article on gender differences. I drew attention to my own page on feminism and gender differences and I would have left it at that, if there hadn't followed almost instant sniping, including the part-time moderator and occasional sniper SarahAB.

 

The page includes this and has included this for a long time. It wasn't added at the time of the Nepal earthquake. It appears in a central section of the page, 'The material conditions of life.'

 

'Earthquakes show that control over nature is sometimes impossible. Patriarchy has developed a method of delaying the crushing effects of a building collapsing so that the occupants have enough time to escape to safety - the technological / humanitarian innovation of metal ties connecting together walls and roof. When victims are trapped under rubble, then of course technological techniques are the only effective ones - the use of heavy lifting equipment, made up of a very large number of separate components, ultimately derived from metal ores, crude oil and other raw materials, which demand techniques of very great complexity, even the screw-threads of the fixings. The precise engineering essential for manufacturing these components wasn't inevitable or easily gained. It was due to the achievements of such particular men - again, representatives of 'patriarchy' - such as Joseph Whitworth, who by 1856 'was regularly using in his workshops a machine capable of measuring to one-millionth part of an inch.' ('A Short History of Technology.') Without the work of Joseph Whitworth and many other innovators, earthquake victims would have to be rescued by bare hands and the simplest of tools. Precision engineering and scientific and technological advances in general, again, almost unimaginably complex, are needed, of course, to transport food and other relief supplies to earthquake zones by air, road or sea. In the absence of these, human labour and pack animals will give aid to only a tiny fraction of those in need.'

 

Harry's Place pseudonyms and heteronyms

 

Some of the comments of some of the regular commenters at 'Harry's Place' are inconsistent: grossly inconsistent, grotesquely inconsistent, even. The commenters include Vildechaye and mettaculture as well as Kolya and KBPlayer (to a much lesser extent.) I've  mentioned the strengths of these people as well as attending to their weaknesses in previous sections on this page, Nasty, brutish and short: some 'Harry's Place' comments and Another dispute at 'Harry's Place. This section contains more on their strengths. These people, like some others at 'Harry's Place,' seem to have multiple identities. They have pseudonyms but heteronyms seem a far better idea to me. Heteronyms are to do with multiple identities.

 

The poet Anna Evans explains heteronyms briefly in a piece which does praise me - Vildechaye, mettaculture, KBPlayer, Kolya and other critics needn't bother about that, of course. The piece is quoted  in the section Advertisements for myself on the page 'About this site.'

 

Anna Evans writes,  

 

'Fernando Pessoa was a Portuguese poet and man of letters famous not only for his poetry but also for his heteronyms. He wrote a vast body of material (fiction, essays, poetry, plays) under a number of pseudonyms, but was unique in claiming to feel the presence of each of these personalities as strongly (some would say stronger) than he did his own. Each heteronym had his own style: Alberto Caeiro was a natural poet of minimal formal education; Ricardo Reis was a classically educated modern pagan etc. etc.'

 

A commenter who often blasted other commenters but made many mistakes could adopt the heteronym 'Blunderbuss' for this persona. A commenter with a tendency to foul language when attacking someone but reacting like a chicken when put on the spot and asked to give evidence - otherwise to apologize - could use the heteronym 'Fowl-mouthed' for this persona and a different heteronym for carefully considered contributions, such as 'SocratestheSecond.' 'DramaQueen' would be suitable for someon with a tendency to exaggeration and hysteria, with 'Penitent' for those times when the commenter shows more self-control and regrets those outbursts.  People with absolutely no illusions about themselves could choose a plain and simple heteronym for their weaker side such as 'Scumbag,' 'Pillock,' 'Poser,' 'Loser,' 'Time-waster.' Or something less plain and simple such as 'Scatologist.'

 

Instead of using the one pseudonym 'Vildechaye' for his comments, Vildechaye could use a heteronym for the crude mud-slinger, author of such comments as these, quoted in the section above,

 
'up your bum.'

'You can add this comment to your piece: GO FUCK YOURSELF.'

'fuck off.'

'you can fuck off too.'

'you really enjoy talking out your arse, don't you?'

'actually you're just a bigoted asshole with a thin veneer of intellectual pomposity who cherrypicks sources -- on Youtube! -- and thinks he's being clever. uh uh.'

'yes we're all listening to the likes of you now, you lying sack of shit. Care to tell everyone where I wasn't brought up again.'

 

And another heteronym for such very different comments as these (the Disqus profile of Vildechaye gives many other examples):

 

'I've never been one to call Israeli critics "anti-semitic" unless they go way over the top with double standards, selective outrage, etc. The same goes for Jewish critics of Israel: I'm loathe to call them Jewish anti-semites or jew-hating Jews (I hate the term "self-hating" jew because whoever fits that category certainly don't hate themselves.)

But I digress. The point of the above is that I really think Kenneth Roth is Israel-obsessed to the point of anti-semitism. How else to explain that when Roth hears about the Nepalese earthquake, and then hears an item about how Israel is sending aid, the only thing that he can comment on is Israel-Gaza? This isn't normal behaviour. This isn't even how South Africa was treated. By making his fatuous statement, Roth is putting himself in the company of people like the anti-semite David Carter, who's very first and last thoughts of the day revolve around Israel and the Jews and how evil they are. I'm sure Roth doesn't consider himself in that category, and would be horrified to think of himself as an anti-semite, but I don't see what other conclusion you can come to, given his instant reactions to hearing news about Israel doing good.'

 

'What you call "picking nits" is what I call "getting the facts straight." '

 

'Again, dear Aloe, I must take issue with you on this topic. While it may be true that the Jewish religion/Judaism does not endorse/promote or lend itself to liberalism (not being theologically inclined, I'm not really qualified to deal with that, though I suspect that, given the number of opinions by Jewish scholars over the ages in the Talmud and other Jewish writings, that even there you might be wrong), I would say Jewish experience/history introduced "tolerance" into Jewish social/cultural life well before Christians discovered liberalism. That tolerance is probably why Jews were able to embrace European liberalism so conclusively. Not all Jews, of course, but then again, not all Christians, or all Christianities for that matter, went the liberal route.'

 

The commenter mettaculture often writes perceptive, intelligent comments, sometimes, far less often, offensive and deluded ones.' Again, heteronyms would be better than one pseudonym. I'll only give examples of his perceptive, intelligent comments here,

 

'Excellent. Tremendously important stuff. On its own it should be enough to show why Turkey's support of ISIS (as a means to extend its influence, promote its own brand of Nationalist Islamism, to weaken Assad and to destroy Kurdish National aspirations) is dangerous and doomed to failure.

IS will retain an Arab Nationalist character implacably opposed to Turkish and Iranian Imperial expansion no matter how Islamized they become.

But there is also a deeper lesson that is endlessly historically demonstrated. Pan-Islamism in the modern era, since its inception under Sultan Abdul Hamid in the late Ottoman era (using and promoting the anti-Imperialist modernist Islamism of Jamāl ad-Dīn al-Afghānī) , is never and can never be separated from Nationalism.

Pan-Islamism is an Islamic Nationalist ideology that seeks a worldwide unity of Muslims by denying the reality of cultural and ethnic distinctions. This is its fatal flaw in relation to a modernity that is created around the recognition of ethno-linguistic and ethnocultural state formation.

Whenever a contemporary nation state Islamises , it also necessarily and unavoidably nationalises Islam. This is what happened in Iraq under Saddam Hussein when he chose to Islamize the nation (and the Ba'ath party) he also nationalised Islam.

This is also what has happened in Iran, which has created a Persian Imperial national Shia Islam not a true pan-islamism.

 

... '

 

'Dear Aloeveera,

I think one of the better diagnostic tools is to see how strong the tendency to dismiss the enlightenment is. What we might call the Will Self tendency is absolutely hostile to modernity in a classic bohemian romantic anti rational anti-enlightenment way, more Nietzschean than Marxist.

France, though it has of course produced a wave of post-modernists philosophers they are curiously understudied in France and particularly on the French left. Michelle Foucault was always considered something of a conservative and romantic reactionary in France for example.'

 

KBPlayer could have one heteronym for infantile comments, such as 'Barmy. Box. Frogs' and another heteronym for the comments where she doesn't write garbage, the vast majority (even if many are routine - the standard of her blog, using her real name, is generally much higher.) I quoted one of her comments appreciatively in a reply to Kolya during the second dispute.

 

'An example of a comment I like very much, by KBPlayer, who writes scathingly about me in this thread:

'With Hitchens the country is always going to the dogs. He would have said the same about the cocktail-drinking, jazz-listening, scoffing irreverent young things of the 20s & 30s - the ones who put on their uniforms when they had to.' '

 

Website and blog comments: the veil of anonymity

 

A comment for 'dmra' on the site 'Harry's Place,' www.hurryupharry.org

 

A reply was given by dmra and I found that a previous comment of mine on 'Harry's Place' criticizing 'Lamia' was mistaken in one way - Lamia is female, not male! In this reply, I stated that I didn't know whether dmra was male or female. Later, I felt sure that dmra was female not male. In a comment, dmra had mentioned attending a girl's school. Much later, I found that dmra was male, not female. He mentioned that he was one of the few boys to attend a particular girl's school.

 

I argue here that anonymous comments tend to diminish the richness and complexity of human interaction but I give other arguments as well. Strictly, 'anonymous' should be 'pseudonymous.' I mention the  alternative male/female but this is far too simple for some people. I suppose the proper question to ask is, 'Are you male or female, neither or both?'

 

I think that the arguments for banning the full veil in this country outweigh the arguments for allowing it. It's been argued that when a woman wears the veil, anyone speaking with her is denied so many visual cues, so much supplementary infomation. The conversation is likely to be restricted by that. A conversation with someone whose face we can see is very different. (An obvious counter-argument: what about the experience of blind people? Perhaps the aural cues are enough, perhaps not.)

 

I'm not equating wearing the veil and the anonymity of commenters. All I'm doing is pointing out some obvious disadvantages of anonymity. Exchanging views on this page with you, dmra, involves lack of some useful information for me. I don't know if you're male or female, for example! I don't know if vildechaye and mettaculture are male or female. I don't assume that because vildechaye and mettaculture seem to have a very aggressive side they must be male. [I now know that they're male.]

 

I strongly believe in the importance of openness. Whatever I write, I do it under my own name. I don't have an ex-directory telephone number, either. I'm listed in the phone book. If people want to criticize me on the internet, they can go ahead and do it and the results will show up in Google, whether it's on Page 1 or Page 20,000. Conversely, if I criticize someone who isn't anonymous, the criticism will appear in searches for the real name somewhere in Google, in the case of Richard Alleyne journalist (now ex-journalist, I'm glad to say) very prominently, on Page 1 for the search terms "Richard Alleyne" journalist.

 

Using 'dmra' for your writing is choosing the safer option. It offers protection from critical comment published on the Web, for one thing. Whatever critical comments may appear for 'dmra,' the life you live under your real name remains separate and isn't affected. There may be very good reasons for anonymity on the Web . People may have a job which makes it very difficult to write freely under their own name. (All the same, when, eventually, I found conventional employment, I carried out some high profile campaigning which caused me difficulties with my employer but thought nothing of it.)

 

I'd suggest to anonymous commenters on this site: consider whether you really do have to be anonymous I hope dmra, mettaculture, Vildechaye and others will consider 'coming out.' I realize there may well be perfectly valid reasons why this isn't a realistic option.

 

I'm glad that so many people whose views are similar to the general viewpoint of 'Harry's Place' do use their actual names. They include people who would be safer writing anonymously but don't. 'The Times Literary Supplement' used to have anonymous reviewers. This had severe disadvantages. A hostile review of a book left the author and readers wondering about the background of the reviewer and possible sources of bias. Now that reviewers are identified, there are so many sources of information about the background of the reviewer. It may be that the reviewer has been criticized by the author of the book, or that the reviewer isn't the best person to review the book because the reviewer has no background in the field. Or it may be that the background information leaves every reason to think that the reviewer is knowledgeable and fair-minded. However, in the case of anonymous commenters, Disqus does give all the Disqus comments, unless the commentator chooses to make their activity private.

 

Some pages which include criticism of anonymity for comments, even if the focus is on sites of a different kind. The New Yorker article also gives arguments for anonymity.

 

http://www.washingtonpost.com/...

 

http://www.newyorker.com/tech/...

 

Website and blog comments: when to delete

 

A moderator is sometimes entitled to exclude comments for pragmatic reasons, by using robust common sense, not the high and noble principles of free expression (or by thinking about consequentalist or deontological or neo-Thomist or neo-Aristotelian arguments arguments for publishing or not publishing.)

 

Argumentum ad hominem, criticising not the arguments but the person who gives the arguments is, in fact, a realistic and valid way of approaching the arguments of some people: to give not much thought at all to the arguments but to summarily decide that the person has a negligible contribution to make. If a grown adult sends a description which is completely sentimental and includes an image of a teddy bear and promises to send further contributions, then, unless the site is a sentimentalist site and isn't deterred by unnecessary images of teddy bears, then the moderator will probably decide that the character of the person makes intelligent contributions very unlikely. A woefully underpowered car won't be allowed in a high-powered race. There's no need to measure the speed of the car. A look at the car is enough.

 

If a humanist Website or blog is besieged with comments from born-again Christians 'proving' that X is evil and giving abundant scriptural 'evidence' then the moderator may decide that enough is enough. If a Website or blog has the central aim of publishing material on modernist architecture or abstract art and is besieged by people commenting that modernist architecture or abstract art is 'a load of rubbish,' or words to that effect, then excluding these comments isn't the exercise of censorship. To uphold free speech isn't to uphold the right for someone to comment at any Website or blog.

 

The comment below, posted at 'Harry's Place,' refers to a very prolific commenter who happened to be a Moslem. After I added the comment, he asked for all his comments to be deleted and referred to my contribution as the reason.

 

'El Cid has swamped this Comments section with his Islamist views. Enough is enough. Even the most patient of people (even Sarah AB) may have found their patience close to exhaustion in the face of El Cid's prolific and predictable 'proofs.' If ten or twenty other people with similar views decided to join the 'discussion,' then the scale of the problem would be even more clear, the need for effective and realistic moderation even more obvious. Harry's Place may have its detractors but it also has a deserved reputation for interesting and informative comment to accompany the articles. If the problem continues (it may not, of course) and nothing is done, then I for one would regret it very much.

 

'Websites and blogs concerned with evolutionary biology or secularism or enlightenment values or the defence of Israel should give objectors the opportunity to disagree and should uphold freedom of expression but are under no obligation to present Comments sections overwhelmed by people hostile to evolutionary biology or secularism or enlightenment values or the defence of Israel. These Websites and blogs are entitled to have an identity, they are entitled to present their viewpoint, but never to the exclusion of contrary views.

 

'It's reasonable for the discussion sections of 'Harry's Place' to be a place where people can disagree about many, many things but are in general agreement that disagreements aren't solved or resolved by appeal to the Qur'an or the Bible or the works of Marx, for that matter.

 

'If El Cid knows of Islamist Websites and blogs where anti-Islamist comments are not just allowed but published in large numbers, then do please let us know.

 

'A suggestion: 'Harry's Place' could consider creating a new Comments section, called 'The Other Place,' perhaps, where El Cid and others would be free to present their doctrines and their 'proofs' and to answer any objections. I'd hope that Islamist Websites and blogs would make similar provision for the expression of dissenting views, though. If not, why not?'

 

After the comment was posted, I found one Islamist Website which freely publishes comments written by anti-Islamists, the Website of the extremist Haitham Al-Haddad, www [dot] islam21 [dot] com I gave him credit for his policy in a comment of mine at 'Harry's Place,' Comment (HP): banning extremist speakers (1)